सङ्गीतरत्नाकर: प्रथम भाग (शार्ङ्गदेव - स्वरगताध्याय सविस्तार व्याख्या व अनुवाद सहित)

426 Treatment of Svara Index-Cum-Glossary 427
Nārada—8, 9, 177
Nartana (dancing)—14
Naṣṭa (the missing note-series)—13, 217
Navel—89
Nescience—31
Nirguṇa (Brahman), the attributeless reality—104
Niṣāda—130
Niṣkarṣa, an embellishment of the ascendant tone-pattern—245
Niṣkūjita, an embellishment of the circulatory tone-pattern—250, 256
Nṛtta (a dance form)—10, 11, 21
Nyāsa (the final note)—281, 289
Objects of mind—53
Ojas—39, 45
Organs of human body—63
Original series (mūlakrama)—189, 190, 196, 199
Overlap (sādhāraṇa)—230
Overlapping (sādhāraṇa)—229; of kākalī—230; of antara 230; of ṣaḍja—232; of madhyama—232; of jātīs—16, 233; of notes (in jātī-s)—278
Pada—376
Padabhāga (a unit of two or four gurus forming a section of a tāla—14, 19
Pañcama—130
Pañcamī (jāti)—266, 273, 274, 275, 278, 279, 280, 290, 291; characteristic features—314-317
Pañcamī-kapāla—370; verbal text—374, 375
Pañcapāṇī—299, 301
Paramardī—9
Paramātman (supreme-self)—29
Parent jātīs—369
Parivarta (repetition of pada-division in tāla)—14, 19
Parivartaka, an embellishment of circulatory tone-pattern—249, 250, 253
Paryāyāṁśa, (co-fundamental note)—293
Passion, the seat of—88
Pāta (audible movement of the hand)—14, 18
Pātakalā-vidhi (technique of sounding and unsounding action in tala) 14, 19
Pauravī, a mūrcchanā of madhyama-grāma—168, 169, 195, 197
Paurṇamāsa, a pentatonic combinational note-series of ṣaḍjagrāma—226
Pentatonic note-series—182, 196
Pentatonics—191, 198
Permutational calculus (prastāra)—204, 206
Permutation-indicator (khaṇḍameru)—212, 222
Permutational note-series, 183, 196, 199, 222, 228
Peśī (muscle)—77
Piṇḍa (human body)—23
Piṇḍotpatti (human embodiment)—23
Piṅgalā (nāḍī)—100, 101, 102, 103
Pluta, in the context of alaṅkāras—240
Prabandha (musical composition)—14, 17
Prajāpati (foremost creators of human race)—32-34, a hexatonic combinational note-series of ṣaḍjagrāma—223, 224
Prāṇa (vital breath)—2, 3, 57, 59
Praṇava, Oṁkāra—91
Prasāda, an embellishment of the steady tone-pattern—238, 244; an embellishment of the circulatory tone-pattern—249, 252
Prasanna, in the sense of mandra in the context of alaṅkāras—239
Prasannādi, an embellishment of steady tone-pattern—238, 241
Prasannādyanta, an embellishment of the steady tone-pattern—238, 243
Prasannamadhyā, an embellishment of the steady tone-pattern—238, 243
Prasannānta, an embellishment of the steady tone-pattern—238, 242
Prasāriṇī, a variety of āyatā śruti-class—137, 138, 139
Prastāra (sequential permutation)—13, 15; an embellishment of the steady tone-pattern—238, 244, an embellishment of the circulatory tone-pattern—249, 251; elaboration of the basic structure of jātīs—338, 340, 342, 344, 345, 347, 348, 351, 352, 354
Pratyaya (formula for discerning the different aspects of tāla)—14, 20
Preṅkha, an embellishment of the circulatory tone-pattern—250, 256
Preṅkhita, an embellishment of the ascendant tone-pattern—245, 247
Presiding deities, of mūrcchanā-s—177
Prīti, a variety of mṛdu śruti-class—138, 139
Profusion—293
Pṛthula-gīti—299, 301, 365, 366, 376, 377, 381, 382, 385
Puṇḍarīka, a hexatonic combinational note-series of ṣaḍjagrāma—223, 224
Pūrṇa-kūṭatāna, complete permutational note-series, their No.—184
Puruṣamedha, a pentatonic combinational note-series of ṣaḍjagrāma—226
Puṣṭikṛt, a pentatonic combinational note-series of ṣaḍjagrāma—226
Rāga—13, 16, 366, 369
Rāgāṁśa—365
Ragāṅga—13, 16
Rāhula—9
Rajanī, a mūrcchanā of ṣaḍjagrāma—168, 170, 178, 195, 197
Rajas (activity)—55, 56, 93
Rājāsūya, a hexatonic combinational note-series of ṣaḍja-grāma—223, 224
Rakṣa, (presiding deity of mūrcchanās), 177
Raktagāndhārī (an associate modified jāti)—273, 274, 275, 279, 280, 290, 291; characteristic features—338-341
Raktī, the capacity to delight—104, 265
Raktikā, a variety of madhyā śruti-class—138, 139
Rambhā—8, 9
Ramyā, a variety of madhyā śruti-class-138, 139
Rañjanī, a variety of madhyā śruti-class—137, 139
Rañjita, an embellishment of the circulatory tone-pattern—250, 258
Rareness (Alpatva)—294
Rasa (aesthetic delight) 14, 20; that of the notes—153, 157; that of the jātī-s—365, 366
Rasavāhinī, arteries carrying lymphchyle (rasa)—80
Rathakrānta, a hexatonic combinational note-series of ṣaḍjagrāma—224