सङ्गीतरत्नाकर: प्रथम भाग (शार्ङ्गदेव - स्वरगताध्याय सविस्तार व्याख्या व अनुवाद सहित)

Page 428

Treatment of Svara

Left Column

Ratika, a variety of mṛdu śruti-class
—138, 139
Raudra, a pentatonic combinational
note-series of madhyamagrāma—
227
Raudrī, a variety of dīptā śruti-class
—137, 138, 139
Rāvaṇa—9
Repeated note-series, the total
number of—199
Ṛgveda—367
Ṛṣabha—130
Ṛṣi (sage)—13, 15, 153, 155
Rudraṭa—9
Śaṅkhacūḍa, a pentatonic combina-
tional note-series of madhyama-
grāma—227
Śaṅkuka—9
Śāntikṛt, a pentatonic combinational
note-series of ṣaḍjagrāma—226
Śārdūla—8, 9
Śarīra (timbre)—13, 14, 17
Śiva—8, 9, 108, 109, 177, 178
Śruti—3, 13, 104, 105; its number
—115; the primary definition
and measure—121, 122; as the
source of svara—130, 136; classi-
fication—137, 138
Śruti-jāti (The generic groups of
śruti-s)—13
Śruti-subclasses (as distributed
among the svaras)—139
Śuddha, a type of mūrcchanā-s—173
Śuddha jatis (primary melodic types)
—266, 369, definition—266, 267
Śuddha-madhyā, a mūrcchanā of
madhyamagrāma—168, 169, 195,
196
Śuddha-mūrcchanā (standard mūrc-
chanā)—179
Śuddha-ṣaḍjā, a mūrcchanā of ṣaḍja-
grāma—168
Śuddhasvara (standard note)—13, 15

Right Column

Śuddhatā, the definition of—267
Śuddhatāna (specific combinational
note-series)—179, 180, 223, 227
Śyena, a pentatonic combinational
note-series of ṣaḍjagrāma—226;
an embellishment of the circu-
latory tone-pattern—250, 256
Ṣāḍava (hexatone)—281, 293
Ṣāḍava-tāna (hexatonic note-series)
—181
Ṣaḍja—130, the prominence of—165
Ṣaḍja-grāma—162, 163
Ṣaḍjakaiśikī (an associate modified
jāti)—273, 274, 277, 279, 280,
290, 291, characteristic features
—324-327
Ṣaḍjamadhyamā (an associate modi-
fied jāti)—273, 274, 278, 279,
280, 289, 290, 291 Characteristic
features—331-334
Ṣaḍjasādhāraṇa—232
Ṣaḍjī (a śuddha jāti)—266, 273,
274, 275, 277, 279, 280, 290,
291; characteristic features—
299-303
Ṣaḍjī-kapāla—359; verbal text—372
Ṣaḍjodīcyavā (an associate modified
jāti)—273, 274, 279, 280, 290,
291; Characteristic features—
327-331
Ṣoḍaśī, a hexatonic combinational
note-series of ṣaḍjagrāma—223,
224
Sadāśiva—8, 9
Sādhāraṇa (overlapping)—141, 142,
229
Sahasrapatra-cakra, the thousand-
petalled lotus—95
Salvation—103
Sama, an embellishment of the
circulatory tone-pattern—249,
250, 255
Samāna (vāyu)—57, 60

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Page 429

Index-Cum-Glossary

Left Column

Sāmaveda—367
Sambhavita (gīti)—299, 301, 365,
366, 376, 377, 880, 382, 385
Samit, a hexatonic combinational
note-series of madhyamagrāma—
225, 226
Sampradāna, an alaṅkāra (embellish-
ment)—261, 263
Saṁsargajā-vikṛtā (associate modi-
fied (jatis)—273
Saṁsthā, a hexatonic combinational
note-series of ṣaḍja-grāma—224
Saṁvādī (consonant)—148
Sañcārī (circulatory tone-pattern)—
235, 236, 261
Sandhipracchādana, an embellishment
of the ascendant tone-pattern—
245, 248
Sandīpanī, a variety of āyatā śruti-
class—137, 138, 139
Saṅgatī—299, 301, 305
Saṅgītam (musical arts) gītam,
vādyam and nṛttam all the three
taken together—10
Saṅgīta-ratnākara—8
Sannivṛttakapravṛttaka, an embellish-
ment of the circulatory tone-
pattern—250. 258
Sannyāsa, the concluding note of the
first sub-section of a musical
composition—281, 291, 292
Sāntarā (antara-inclusive type of
mūrcchanā)—173
Sarpayaṇa, hexatonic combinational
note-series of madhyamagrāma—
225
Sarvasvavadakṣiṇa, a hexatonic combi-
national note-series of madhyama-
grāma—225, 226
Sarvatobhadra, a hexatonic combina-
tional note-series of madhyama-
grāma—225

Right Column

Sattva guṇa (purity)—50, 55, 56;
mind or consciousness, 93
Saubhāgyakṛt, a pentatonic combi-
national note-series of ṣaḍja-
grāma—226
Saubhara, a pentatonic combina-
tional note-series of ṣaḍjagrāma
—226
Sautrāmaṇī, a hexatonic combina-
tional note-series of ṣaḍjagrāma
—224
Sauvīrī, a mūrcchanā of madhyama-
grāma—168, 169, 170; according
to Nārada a mūrcchanā of ṣaḍja-
grāma—178
Sāvitrī, a hexatonic combinational
note-series of madhyamagrāma—
225
Semifinal note (apanyāsa)—281, 290
Siddha—177, 178
Siṁhalī—317, 319
Siṅghaṇa—4, 6 patron of Soḍhala
and Śārṅgadeva
Sirā (vein)—78
Sīranī (suture)—72
Skhalita, an embellishment of the
circulatory tone-pattern—249,
250, 253
Snāyu (Ligaments)—39, 75
Soḍhala—4, 6 Father of Śārṅgadeva
Soma, a hexatonic combinational
note-series of madhyamagrāma—
225, 226
Soma-cakra—94
Someśa—9
Sonant—293
Songster—17
Songstress—17
Specific combinational note-series,
the definition of—179, 180
Srotas (canals), the elimination of
bodily impurities—71