सङ्गीतरत्नाकर: प्रथम भाग (शार्ङ्गदेव - स्वरगताध्याय सविस्तार व्याख्या व अनुवाद सहित)

424 Treatment of Svara
Kohala—8, 9
Krama (mūrcchanā-series)—175, 176;
an embellishment of the circula-
tory tone-pattern—250, 251
Kramarecita, an embellishment of
the steady tone-pattern—238,
243
Krodhā, a variety of āyatā śruti-class
—137, 138, 139
Kṣetrajña, the self aware intelli-
gence—36
Kṣetrarāja—9
Kṣiti, a variety of mṛdu śruti-class—
138, 139
Kṣobhiṇī, a variety of madhyā śruti-
class—138, 139
Kula (Lineage), of the notes—13,
15, 152
Kumudvatī, a variety of āyatā śruti-
class—137, 138, 139
Kuṇḍalinī, the creative power—85,
86
Kūrca (cluster)—72
Kūṭatāna (permutational note-
series), the definition of—183
Kūṭatāna prastāra—204
Laghu (measure of time in tāla)—
14, 19
Lalanā-cakra—92; as related to
music—97
Lalitasvara, an embellishment of the
circulatory tone-pattern—250,
259
Laṅghana (overstepping)—294, 295,
305
Laya (tempo or musical speed)—14,
19, 376
Liṅga-śarīra (subtle body)—28
Lollaṭa—9
Loka-rañjana, popular entertainment
or peoples' amusement—104
Lower pitch-range (mandra), defini-
tion of—281, 288
Madantikā, a variety of karuṇā śruti-
class—137, 139
Madhukarī—306, 307
Madhya (medium or middle register)
—114, 141
Madhyā, a class of śrutis—137, 138
Madhyama—130; the prominence
of—165
Madhyamā (jāti)—266, 273, 274,
275, 278, 279, 280, 290, 291;
Characteristic features—312-314
Madhyama-grāma—162; definition
of—163
Madhyamā-kapāla—370; verbal text
—374
Madhyama-sādhāraṇa—232
Madhyamodīcyavā (an associated
modified jāti)—273, 274, 275,
277, 279, 280, 290, 291, charact-
eristic features—345-348
Māgadhī (gīti)—299, 301, 365, 366,
376, 377, 382, 383
Mahābhūtas (great elements)—58
Mahāvrata, a hexatonic combina-
tional note-series of ṣaḍjagrāma
—223, 224
Maheśvara (Śiva), the presiding
deity of the Gāndhāra-grāma—
166
Maitrī, a mūrcchanā of madhyama-
grāma, according to Nārada—
178, 179
Mana (mind)—50
Māṁsadhara (skin)—65
Māṁsarajju (fleshy band)—72
Manaś-cakra, the cycle of the mind
—94
Manda, a variety of mṛdu śruti-
class—138, 139
Mandra (low register)—114, 141,
lower pitch range in the context
of alaṅkāras—239, 240; as a
feature of jātis—281, 287
Index-Cum-Glossary 425
Mandrādi, an embellishment of the
circulatory tone-pattern—249,
250
Mandramadhya, an embellishment
of the circulatory tone-pattern—
249, 251
Mandrānta, an embellishment of the
circulatory tone-pattern—249,
251
Mandratāraprasanna, an alaṅkāra
(embellishment)—261, 262
Manifestation, of sound in the
body, the process of—111
Maṇipūra-cakra, the navel cycle—89
Mārga, a form of saṅgīta—10; span
of tāla—14, 19, 365
Mārga-kalas—14, 19
Mārga-tālas—14, 18
Mārgī, a mūrcchanā of madhyama-
grāma—168, 169, 196
Mārjanī, a variety of madhyā śruti-
class—138, 139
Marmasthāna-s, the vital parts—82
Mataṅga—8, 9
Mātṛgupta—8, 9
Mātrā (fixed unit of time in tāla)—
14, 19
Matsarīkṛtā, a mūrcchanā of ṣaḍja-
grāma—168
Mind, the functions of—53
Missing note-series (naṣṭa)—218
Mokṣada, a pentatonic combina-
tional note-series of madhyama-
grāma—227
Monotone (note-series)—194, 197
Monotones—198
Mṛdu, A class of śruti-s—137, 138,
139; a synonym for mandra in
the context of alaṅkāra-s—239,
240
Mukti (enlightenment)—103
Mūla—8, 9
Mūlakrama, the original series—189;
original order—204
Mūlaśira (Primal bloodvessels)—79
Mūrcchanā, 13, 175, 202, 203, 228;
definition 167; the classsfication
—173
Mūrcchanā-saṁkhyā (the serial
number of mūrcchanā), the
method of indicating it—175
Nāda, primordial sound—1, 2, 108,
111, 121, 122: as audible sound
120; classified as āhata and
anāhata (produced and un-pro-
duced)—23; musi-cal classifica-
tion—112, 114; derivation—113,
as related to śruti—121
Nāda-brahman—108
Nādasaṁbhūti (voice production)—13
Nāḍī-s, as associated with śruti-s—
115, 116
Nāga, as a deity of mūrcchanas—
177, 178
Nāgapakṣaka, a hexatonic combina-
tional note-series of ṣaḍjagrāma
—224
Naiṣādī (jāti)—226, 274, 275, 279,
280, 290, 291; characteristic
features—320-323
Naiṣādī-kapāla—371, 375
Naiṣkrāmikī (dhruvā)—299, 301
Nāmasvara (denominative note)—
267
Nanda, a mūrcchanā of gāndhāra-
grāma—178, 179
Nandayantī (an associate modified
jāti)—273, 274, 275, 277, 279,
280, 290, 291, characteristic
features—359-365
Nandī, a pentatonic combinational
note-series of ṣaḍjagrāma—226
Nandikeśvara—9
Nānyadeva—9