नाट्यशास्त्र: भाग २ (भरत मुनि - प्रदीप हिन्दी व्याख्या सहित: संगीत, वाद्य, ताल एवं रस-विधान)

'.
Wait, why did I think 'दो'?
Look at the mark above: that mark is the prosodic mark '–' from above!
Wait! The prosodic marks are:
Above शो: –
Above भ: ˘
Above ते: –
Above हृ: –
Above द्य: ˘
Above या: –
Wait, are there prosodic marks above षट्पदाविद्धया too?
No, the marks – ˘ – – ˘ – are ONLY above "शोभते हृद्यया"!
Wait, then what is that stroke above 'द'?
Look at line 17: "षट्पदोविद्धया" or "षट्पदाविद्धया"?
Ah, look at the character:
द + ो = दो!
Wait, if it's 'दो', then षट्-प-दो-विद्-ध-या:
षट् (–) प (˘) दो (–) विद् (–) ध (˘) या (–)!
'दो' is ALSO guru (–)!
Both 'दा' and 'दो' are guru!
Wait, but is it 'दो' or 'दा'?
Look at "षट्पदोविद्धया" vs "षट्पदाविद्धया":
Look at the top: there is an o-matra stroke pointing to the left!
Wait, look at footnote 2: "२. षटपदाबद्वया—क० ।"
Notice the footnote says