सङ्गीतरत्नाकर: प्रथम भाग (शार्ङ्गदेव - स्वरगताध्याय सविस्तार व्याख्या व अनुवाद सहित)

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430 Treatment of Svara
Sṛṣṭisaṁhāra-pravāha (the cycle of
creation and destruction)—29
Standard mūrcchanā—179
Steady tone-pattern, definition of
—235
Sthāna (register)—13, 141; in the
sense of ādhāra-śruti or sthāya—
228
Sthāya (specific feature of tonal
rendering)—14, 17
Sthāyī (steady tone-pattern)—234
Subtle body, its constituents—28
Sūḍa, chāyālaga—14, 18; sūḍa—14,
18
Sukhā, a mūrcchanā of gāndhāragrāma
—178, 179
Sumukhī a mūrcchanā of gāndhāra-
grāma—178, 179
Sun—178
Supti (drowsiness)—50
Sūryakrānta, a hexatonic combina-
tional note-series of ṣaḍjagrāma
—224
Suṣumṇā—99
Svādhiṣṭhāna-cakra, the self-abiding
cycle—87, 88
Svāhakāra, a hexatonic combina-
tional note-series of madhyama-
grāma—225, 226
Svapna (dreaming state), definition
of—69
Svara (tone or note)—130; defini-
tion—134 classification—148
Svarādi—13, 17
Svara-jñāna (tonal perception)—265
Svara-sādhāraṇa, overlapping in
note-intervals—13, 16, 229;
overlapping in (jātis)—278
Svātī—9
Sviṣṭakṛt, a hexatonic combinational
note-series of ṣaḍjagrāma—223,
224; a pentatonic combinational

Right Column

note-series of madhyamagrāma—
227
Tāla—365
Tāna (note-series), śuddha (combi-
national) and kūṭa (permuta-
tional)—13, 15
Talāṅga (rhythmic structure)—14-
20
Tamas (inertia)—55, 56, 93
Tanūnapāt, a hexatonic combina-
tional note-series of madhyama-
grāma—225, 226
Tāra, a variety of nāda—141, in
the sense of pitch range (high)
—239, 240, 281, 285
Tāramandraprasanna, an alaṅkāra
(embellishment)—261, 262
Tetratone—196
Tetratonics—192, 198
Tetratonic-series—197
Tīvrā, a variety of dīptā śruti-class
—137, 138
Trailokyamohana, a pentatonic com-
binational note-series of
madhyamagrāma—227
Tritones—193, 196, 197, 198
Trivarṇa, an embellishment of the
ascendant tone-pattern—245, 249
Tumburu—8, 9
Twin-hearted, a woman in preg-
nancy—43
Uccāṭana, a pentatonic combina-
tional note-series of ṣaḍjagrāma
—226
Udāna (vāyu)—57, 60
Udbhaṭa—9
Udbhid, a hexatonic combinational
note-series of ṣaḍjagrāma—224
Uddiṣṭa (indicated note-series)—13,
214
Udghaṭṭita, an embellishment of the
circulatory tone-pattern—250,
257

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Index-Cum-Glossary
Udgīta, an embellishment of the
ascendant tone-pattern—245,
248
Udgītha, the second part of sāman—
91
Udvāhita, an embellishment of the
ascendant tone-pattern—245,
248; an embellishment of the
circulatory tone-pattern—249,
250, 254
Ugrā, a variety of dīptā śruti-class—
137, 138, 139
Uktha, a hexatonic combinational
note-series of ṣaḍjagrāma—224
Ullasita, an alaṅkāra (embellish-
ment)—261, 264
Umbilicus—80
Upacaya (fattiness)—50
Upalola, an alaṅkāra (embellish-
ment)—261, 264
Upāṁśu, a hexatonic combinational
note-series of madhyamagrāma—
225, 226
Upāṅga (sub-organ)—13, 16
Uparāga—13, 16
Upāsanā (worship)—108
Ūrmi, an embellishment of the
circulatory tone-pattern—249,
250, 255
Uttaramandrā, a mūrcchanā of ṣaḍja-
grāma—168, 195, 196
Uttaravarṇā, a mūrcchanā of ṣaḍja-
grāma according to Nārada—178
Uttarāyatā, a mūrcchanā of ṣaḍja-
grāma—168, 195, 198, as also
according to Nārada—178
Vādī (sonant), definition of—148,
149
Vādyam (instrumentation)—14; in-
strumental music—10, 21
Vāggeyakāra—13, 17

Right Column

Vainateya, a pentatonic combina-
tional note-series of ṣaḍjagrāma
—226
Vājapeya, a hexatonic combinational
note-series of ṣaḍjagrāma—223,
224
Vajra, a pentatonic combinational
note-series of ṣaḍjagrāma—226
Vajrikā, a variety of dīptā śruti-class
—137, 138, 139
Valabhit, a hexatonic combinational
note-series of ṣaḍjagrāma—224
Varāṭī—302
Varṇa—3; colour—13, 15; colour of
notes—153, 154; tone-pattern,
definition and classification—
13, 16, 234
Varṇāṅga (tonal structure)—265
Varttikā (mārga)—365, 366
Varuṇa (Paśī)—178
Vaṣaṭkāra, a pentatonic combina-
tional note-series of madhyama
grāma—227
Vaśīkaraṇa, a pentatonic combina-
tional note-series of ṣaḍjagrāma
—226
Vāyu—8, 9, 177, 178
Vāyu-vikṛti, (ten) modifications of
breath—57
Vedas—32, 34, 367
Velāvalī—308, 310, 320, 322, 324,
326
Veṇī (Pṛthagveṇī) an embellish-
ment of the ascendant tone-
pattern—245, 249
Veṇu, an embellishment of the
circulatory tone-pattern—250,
259
Vibhāṣā—13, 16
Vidārī (sub-section)—290
Vidhūta, an alaṅkāra (embellish-
ment)—261, 263