सङ्गीतरत्नाकर: प्रथम भाग (शार्ङ्गदेव - स्वरगताध्याय सविस्तार व्याख्या व अनुवाद सहित)

422 Treatment of Svara
Cānakriyā—376 note-series of madhyamagrāma—
Gāndhāra—130, the prominence of— 225, 226
165, 130 Gosava, a hexatonic combinational
Gāndhāragrāma—164 note-series of ṣaḍjagrāma—223,
Gāndhārapañcama—308, 310, 324, 224
326 Graha (the initial note)—281, 282
Gāndhārapañcamī (an associate Grāma—3, 13, 162; definition of—
modified jāti)—273, 274, 277, 160
279, 280, 290, 291; characteristic Grāma-indicative pañcama—196
features—352-355 Grāmarāga—13, 16
Gāndhārī (jāti)—266, 273, 274, Group performance, definition of—
275, 279, 280, 290, 291; charac- 17
teristic features—308-312 Guṇa and doṣa (excellence and
Gāndhārī-kapāla—370; verbal text— blemishes) of gīta (vocal perfor-
374 mance)—14; of voice—14, 17;
Gāndhārodīcyavā (an associated of the songster and songstress—
modified jāti)—273, 274, 275, 14, 17; of śārīra (timbre)—14,
277, 279, 280, 290, 291, charac- 17
teristic features—334-337 Guru (measure of time in tāla)—14,
Gāndharva—177, 178 19
Gāndharva—3, 17, in the context of Hariṇāśva, a mūrcchanā of madhya-
permutational and combina- grāma—168, 169, 170
tional note-series—228 Hasita, an embellishment of the as-
Garbha (foetus)—36, 39 cendant tone-pattern—245, 247
Gātravarṇa, an embellishment of the Hemā, a mūrcchanā of madhyama-
ascendant tone-pattern—245 grāma, according to Nārada—
Gavāmayana, a hexatonic combina- 178, 179
tional note-series of madhyama- Hexatonic note-series—181, 198
grāma—225 Hexatonics—190
Gāyanaḥ (songster)—13 Hiṇḍolaka—324, 326
Gāyanī—14 Hrādamānā, an embellishment of
Geya, the materials of music—104 the circulatory tone-pattern—
Gīta—2, 10, 11, 12, 21 250, 260
Gītaka (song-pattern based on Hāsyakā, a mūrcchanā of madhyama-
tāla)—14, 19 grāma—168, 169; a mūrcchanā of
Gītāṅga (Melodic aspect)—14, 20 the ṣaḍjagrāma according to
Gīti, the act of singing, comprehen- Nārada—178
ding the tonal, rhythmic and Humphaṭ, a non-inflectional vedic
the verbal structure of a musical syllable—91, 92
composition—13, 16; definition Huṅkāra, an embellishment of the
and classification of—376, 377 circulatory tone-pattern—250,
Godohana, a hexatonic combinational 259

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Index-Cum-Glossary 423
Iḍā (nāḍī)—100, 101, 102, 103; a Kākalī-niṣāda (a modified note)—
pentatonic combinational note- 141
series of ṣaḍja-grāma—226 Kākalyantara—13, 16
Immortality—87 Kākalyantarasādhāraṇa—230
Incomplete permutational note- Kalā (the inaudible movement of
series—186, 188 the hand)—14, 18; as a phrase
Indicated note-series (uddiṣṭa)—214 in alaṅkāras—243 a phrase mea-
Initial note (graha), the definition sured in terms of tāla—365, 366
of—282 Kalala (a gelatinous substance),
Intellect, functions of—53 foetus in the first month—38
Immortality of the soul, inferred— Kālopanatā, a mūrcchanā of madhya-
49 magrāma—168, 169
Instrumental music—21 Kāmadā, a pentatonic combination-
Iṣu, a pentatonic combinational al note-series of madhyamagrāma
note-series of ṣaḍjagrāma—226 —227
Jagadeka—9 Kambala, name of an ancient musi-
Jāla-s (plexuses)—72 cian— 8, 9, 278
Janaka-jāti-s (parent jāti-s)—309 Kambalagana—13, 16, 372
Janmabhūmi (land of origin)—153, Kāndarpabālavātuṇa, a pentatonic
154 combinational note-series of
Jāti—43; as caste—13; as caste of madhyamagrāma—227
notes—153; classification of Kāṅka, a pentatonic combinational
prabandha-s—14, 18; as melodic note-series of ṣaḍjagrāma—226
type 13, 16, 266, 365, 366, 367; Kapāla (songs)—13, 16, 369, 372
characteristic features—281 Kapardinī, a mūrcchanā of madhyama-
Jāti-sādhāraṇa (overlapping in jāti-s) grāma, according to Nārada—
13, 16, 233 178, 179
Jīva (transmigratory soul)—26, 27, Kārirī, a pentatonic combinational
30, 36, 99 note-series of ṣaḍjagrāma—226
Jñāna (pure intelligence)—50 Kārmāravī (an associate modified
Jñānendriya—50 jāti)—273, 274, 275, 277, 279,
Jyotiṣṭoma, a pentatonic combina- 280, 290, 291; characteristic
tional note-series of ṣaḍja-grāma features—348-352
—226 Karmendriya (organs of action)—50
Kaiśika—142, 144, 232 Karuṇā, a class of śruti-s—137, 138,
Kaiśikī (an associate modified jāti) 139
—273, 274, 279, 280, 290, 291; Kaśyapa—8, 9
characteristic features—341-345 Kauṇapāyana, a hexatonic combina-
Kākalī—142, 173, 174, 230, 231 tional note-series of madhyama-
Kākalī and antara, the application grāma—225
of—231 Khaṇḍameru (permutation-indicator)
Kākalīkalitā (kākalī-inclusive), a —13, 15, 208, 209
type of mūrcchanā—173 Kīrtidhara—9