सङ्गीतरत्नाकर: प्रथम भाग (शार्ङ्गदेव - स्वरगताध्याय सविस्तार व्याख्या व अनुवाद सहित)

420 Treatment of Svara Index-Cum-Glossary 421
Barhi, a hexatonic combinational Brahmayajña, a hexatonic combina- Cokṣakaiśika—317, 319 Dhruvagāna—308, 312
note-series of madhyamagrāma— tional note-series of ṣaḍjagrāma Cokṣaṣāḍava—312, 313, 315, 316 Dhruva-vīṇā (invariable vīṇā)—121,
225, 226 —223 224. Cokṣasādhārita—320, 322 122
Bhairava, a pentatonic combina- Breath, ten modifications and their Combinational note-series—227, Dhvani—111
tional note-series of madhyama- functions—59 228 Dīkṣā, a hexatonic combinational
grāma—227 Buddhi (Intellect)—50 Consonant—293 note-series of madhyamagrāma—
Bharata—8, 9 Cycle of creation and destruction 225, 226
Bhāratī—91 Caccatpuṭa (tāla)—305, 307, 308, —29 Dīptā, a class of śruti-s—137, 138
Bhāṣā—13, 16 310, 312, 313 Cyuta (lowered) ṣaḍja—141 Dohada—39
Bhāṣāṅga—13, 16 Cala-vīṇā (variable vīṇā)—121, 122 Durgāśakti—8, 9
Bhāskara, Grandfather of Śārṅga- Candramasī, a mūrcchanā of madhyama- Dakṣiṇa (mārga)—299, 301, 365, Dvādaśāha, a hexatonic combina-
deva—4, 5 grāma according to Nārada— 366 tional note-series of madhyama-
Bhāva—14, 20; mental state—39; 178, 179 Darśa, a pentatonic combinational grāma—225, 226
six substances of the physical Candra, a mūrcchanā of madhyama- note-series of ṣaḍja-grāma—226 Dvāyopetā (inclusive of both, kākalī
body according to Āyurveda— grāma according to Narada— Dattila—8, 9 and antara) a type of mūrcchanā—
51; ātmaja (self created)—51; 178, 179 Dayāvatī, a variety of Karuṇā śruti- 173
mātṛja (maternal)—51; pittja Catuḥsāraṇā, the fourfold string class—137, 138 Dvihṛdayā (twin-hearted)—39
(paternal)—51; rasaja (serologi- movement—120, 121 Denominative note (nāmasvara)—
cal)—51; sātmaja (self-adapted) Cāturmāsya, a hexatonic combina- 267, 289 Ekakala—14, 19, 365, 366
—51; sattva-sambhava (mental) tional note-series of ṣaḍjagrāma Deśī, a saṅgīta in contradistinction Embellishment—238, 264
—51 —224 with mārga, characterised by Enjoyment, as the objective of
Bhāvanā (motivation)—50 Cerebral aperture (brahma- flexibility of rules, having enter- musical arts—103
Bhillama, Patron of Soḍhala—4, 6 randhra)—101 tainment of people in general Enlightenment, the objective of
Bhoja—9 Cetanāsthāna (seat of intelligence) according to their regional musical arts—103
Bhukti (enjoyment)—103 —68 tastes as the objective—10, name
Bindu, an embellishment of the Chanda (metre)—13, 15, 153, 156 of a rāga—306, 308, 310, 312, Final note (nyāsa), definition of—
ascendant tone-pattern—245, Chandaka-gīta (song-patterns based 313, 315, 316, 317, 320, 322, 281, 289
246; an embellishment of the on tāla)—14, 19 324, 326 Foetus—38
circulatory tone-pattern—249, Chandovatī, a variety of madhya śruti- Deśī-tāla—14, 20 Fourfold string movement and the
250, 254 class—137, 138, 139 Devatā (presiding deity), of the No. of śruti-s—124
Bindurāja—9 Circulatory tone-pattern (sañcarī notes—153, 156 Fundamental note (aṁśa), defini-
Bitones—193, 196, 197, 198 varṇa)—249 Dhaivata—130 tion of—281, 282, 283, 284
Brahmā—8, 9, 32, 33, 108, 109, 177, Citra (mārga)—299, 301, 365, 366 Dhaivatī (jāti)—266, 274, 275,
178; as the presiding deity of Citravatī, a mūrcchanā of gāndhāra- 279, 280, 290, 291; characteristic Gajacchāya, a pentatonic combina-
ṣaḍjagrāma—166 grāma—178, 179 features of—317, 320 tional note-series of madhyama-
Brahma-granthi, the centre of the Citra, a mūrcchanā of gāndhāragrāma Dhaivatī-kapāla—371, verbal text grāma—227
body—1, 98, 99, 100 —178, 179; a hexatonic combi- —375 Gajakrānta, a hexatonic combina-
Brahman (Ultimate reality), the national note-series of ṣaḍja- Dhamanī (artery)—78 tional note-series of ṣaḍjagrāma—
nature of—24 grāma—224 Dhātu, a section of a musical com- 224
Brahmaproktapada—367 Classification of voice—17 position—14, 18—supportive Gamaka (shaking of tones)—14, 17
Brahma-randhra (the cerebral Co-fundamental note (paryāyāṁśa) tissue—66 Gāna, in the context of combina-
aperture)—97, 98, 100 —293 Dhātu-prakṛti—62 tional and permutational note-
Dhruvā (song)—310, 313 series—228