सङ्गीतपारिजात (अहोबल - वीणा के तारों पर शुद्ध व विकृत स्वर-स्थान निर्धारण का ऐतिहासिक ग्रन्थ)

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Wait, look at the character after গ:
Could it be "ন্ম্ধ"?
Let's look at "ক্ষ্ধ":
It has ক + ষ + ধ?
Wait, let's look at 'ম' in "সমবাদী" vs the left of that character:
In "সমবাদী", ম is rounded at the bottom left.
In this character, the top left has a loop like 'ক', then a diagonal down to the left, then loops up and right... that is 100% 'ক্ষ'!
And attached to it is 'ধ'!
Wait, why would the typesetter use 'ক্ষ্ধ'?
Could it be a broken type for 'ম্ধ'? Or did the typesetter actually set 'ক্ষ্ধ'?
Yes, typesetters in those presses had boxes of ligatures, and sometimes a bizarre ligature like 'ক্ষ্ধ' or 'ক্ম্ধ' was in the wrong compartment, or used intentionally to represent Tivra Ma + Dha!
Wait! TIVRA MA + DHA!
In Bhatkhande notation, Tivra Ma is 'M' with a vertical stroke: 'Ḿ' or 'Mঁ'.
If the typesetter didn't have a Tivra Ma sort, what did they use?
Wait, could 'ক্ষ' be used for Tivra Ma?!
Wait! In Bengali:
Tivra = তীক্ষ্ণ (teekshna)!
Could 'ক্ষ' stand for 'তীক্ষ্ণ' (Tivra)?!
"তীক্ষ্ণ