सङ्गीतपारिजात (अहोबल - वीणा के तारों पर शुद्ध व विकृत स्वर-स्थान निर्धारण का ऐतिहासिक ग्रन्थ)
Sangitaparijata of Ahobala on Indian Musicology
पण्डित अहोबल (टीकाकार: कलानिधि कलिन्द) द्वारा
पृष्ठ 217, कुल 358 में से
संदर्भ में पढ़ें, সৈন্ধব ছিল
Wait, let's re-examine: "ধ্ নৃ" or "ধ্ ন্"?
Look at line 14:
'ধ' with hasanta: "ধ্"
Then next character: is it 'ন্' (na with hasanta)?
Look at it: it has 'ন' and below it, there is a curved tail going down to the left, like '্' (hasanta).
Wait, look at hasanta under 'ধ': it curves down to the left.
The mark under 'ন' also curves down to the left: so it's "ন্"!
Wait, why does it look slightly like 'নৃ'? In Bengali fonts, hasanta under 'ন' can touch or look like 'ন্'. It is definitely 'ন্' (Ni with hasanta = mandra Ni, just like 'ধ্' = mandra Dha).
Wait, is there a comma after "হবে"?
"হবে, ধ্ ন্ সরমপধপনর্স | র্সনধপমজ্ঞরস।"
Wait, look at "অর্থাৎ সৈন্ধব ছিল":
Is there a comma after অর্থাৎ? No: "অর্থাৎ সৈন্ধব ছিল".
ওড়ব-সম্পূর্ণ জাতীয় রাগ, মানবী হচ্ছে সৈন্ধবেরই ষাড়ব-সম্পূর্ণ রূপ। এ ছাড়া,
Wait, is that a comma after "জাতীয় রাগ"?
Yes, "রাগ , মানবী" or "রাগ, মানবী".
And after