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रसिकप्रिया (महाकवि केशवदास - सम्पूर्ण सविस्तार हिन्दी व्याख्या, नायिका-भेद एवं शृंगार मनोविज्ञान)

रसिकप्रिया (महाकवि केशवदास - सम्पूर्ण सविस्तार हिन्दी व्याख्या, नायिका-भेद एवं शृंगार मनोविज्ञान)

Rasikapriya: Nayika Bheda, Shringara Rasa evam Saundarya Manovigyan

महाकवि केशवदास द्वारा

DevanagariHindipublished286 पृष्ठ

पृष्ठ 220, कुल 286 में से

संदर्भ में पढ़ें
पृष्ठ 220

right after it: "देती" has 'द', 'े', 'त', 'ी'. Look at the 'ी' matra on "ती": it goes up from the right vertical line and curves left over the 'त'.
Now look at "देखत..." in L33: does the letter after 'ह' curve over the 'ह'?
NO! It has a vertical line and TWO SLANTS going up! It is "देखत हौ"!
Wait, wait! Let me look really closely at L33:
"देखत हौ-देखे बिना मुख।" or "देखत ही-देखे बिना सुख।"
Wait, look at "देखे बिना मुख": is it "मुख" or "सुख"? The letter is 'म' with 'ु', then 'ख': wait, 'स' with 'ु' has a loop on the left like in 'सु तो'. Here it's 'स' or 'म'? In "सुख" (L19: "बड़ो सुख दीने"), look at 'सुख' in L19: 'स' with 'ु' + 'ख'. Look at L33: it's identical to 'सुख' in L19! Wait, is it "सुख"?
Wait, look at the footnote again: "देखे बिना मुख" or "देखे बिना सुख"? In L6: "मुख स्याम सभागैं". A variant for "मुख" might be "सुख" ("देखे बिना सुख स्याम सभागै