काव्यप्रकाश (आचार्य मम्मट - सम्पूर्ण १० उल्लास सटीक)

420 KĀVYAPRAKĀŚA
दूराद्दाडिमबीजशङ्कितधियः कर्षन्ति केलीशुकाः
यद्विद्वद्भवनेषु भोजनृपतेस्तत् त्यागलीलायितम् ॥५०५॥
महतां चोपलक्षणम् ॥ ११५ ॥
उपलक्षणमङ्गभावः अर्थादुपलक्षणीयेऽर्थे । उदाहरणम्--
तदिदमरण्यं यस्मिन् दशरथवचनानुपालनव्यसनी ।
निवसन् बाहुसहायश्चकार रक्षःक्षयं रामः ॥५०६॥
न चात्र वीरो रसः तस्येहाङ्गत्वात् ॥११५॥
तत्सिद्धिहेतावेकस्मिन् यत्रान्यत्तत्करं भवेत् ।
समुच्चयोऽसौ ॥
Example—
‘ The pearls dropping from necklaces snapped in
dalliance, which have become reddened by the foot-prints
of lascivious girls walking about in the court-yard, are
dusted aside with broom-sticks : mistaking them for pome-
granate-seeds, the sportive parrots pick up these pearls :—
that all this happens in the houses of learned men is the
effect, O King Bhoja, of your munificence.’
(b) It consists also in the representation of great beings as
adjuncts (to the thing exalted). 115
‘ Adjunct ’—being subordinate,—i.e., to the thing
described.
Example—
‘ This is that same forest residing wherein Rāma,
bent upon obeying the words of Dasharatha, with the
help of his arms, brought about the destruction of demons.’
[Here the fact of Rāma being an adjunct, a resident
of the forest, serves to exalt the latter ; it is the forest,
which is the predominating factor [ and not the Heroic
Sentiment ; as this latter is itself only a subordinate factor.]