काव्यप्रकाश (आचार्य मम्मट - सम्पूर्ण १० उल्लास सटीक)

218 KĀVYAPRAKĀŚA
के के कानि वनान्यरण्यमहिषा नोन्मूलयेयुर्यतः
सिंहीस्नेहविलासबद्धवसतिः पञ्चाननो वर्तते ॥२२४॥
(१०) समाप्तपुनरात्तं यथा
क्रेङ्कारः स्मरकार्मुकस्य सुरतक्रीडापिकीनां रवः
झङ्कारो रतिमञ्जरीमधुलिहां लीलाचकोरीध्वनिः ।
तन्व्याः कञ्चुलिकापसारणभुजाक्षेपस्खलत्कङ्कण-
क्वाणः प्रेम तनोतु वो नववयोलास्याय वेणुस्वनः ॥२२५॥
Ke ke kāni vanānyaraṇyamahiṣā nonmūlayeyuryataḥ
Siṁhīsnehavilāsabaddhavasatiḥ pañchānano vartate ’
‘ What boar and where would not make the terrible
ghur ghur sound ?—What elephant would not deprive
the lotus-ponds of its lotuses ?—What wild buffalo would
not uproot the forests ?—Now that the lion lies capti-
vated by the love of the lioness !’
[Here the climax is not maintained to the end; it breaks off
after the third line. The destructiveness of one animal is described
in the first foot, greater destructiveness is described in the second
foot, and still greater destructiveness is described in the third foot;
this climax would have been rightly maintained, if the lion were
described, in the last foot, as bringing greater destruction than that
wrought by all the aforesaid animals. What is done on the other
hand is that the fierce destructiveness of animals is toned down
towards the end to the quiescent lying down of the lion under the
captivating influence of feminine charms.]
(10) The following is the example of ‘ Resuming the
Concluded ’—
‘ Kreṅkāraḥ.........veṇusvanaḥ ’.
‘ Like unto the twang of Cupid’s bow, the sweet
singing of the cuckoo of dalliance, the humming of bees
in the blossom of love, the sound of the partridge of
graceful sportiveness,—may the jingling of the slender