काव्यालङ्कार (आचार्य भामह - भारतीय काव्यशास्त्र एवं अलङ्कार-सिद्धान्त मूल महाग्रन्थ सटीक)

50 BHĀMAHĀLAṄKĀRA
Kleśas viz., अविद्या, अस्मिता, राग, द्वेष & अभिनिवेश, propound-
ed in Patañjali's Yogasūtra. ज्यायस्त्वं वाञ्छन् If you
wish for eminence. त्वं मुक्तानयः सन् Abandoning all bad
ways. दुर्द्दमानां व्याधीनां अधीनां जातिं छिन्धि Put an end to
birth which is susceptible to uncontrollable diseases.
The two readings दुर्द्दयानां and दुर्नेयानां in the place of
दुर्द्दमानां are not happy. The metre of this verse is
वैश्वदेवी, a metre of the समवृत्त type, with 12 syllables
in each quarter consisting of 4 gaṇas—म, म, य and
य. Definition :—वाणाश्वैश्छिन्ना वैश्वदेवी ममौ यौ.
पादाभ्यासम् (iii)
न ते धीर्धीरे भोगेषु रमणीयेषु संगता ।
मुनीनपि हरन्त्येते रमणी येषु संगता ॥ १३ ॥
13. O brave one, your mind is not attached to
the fascinating worldly pleasures. These enjoy-
ments where a charming lady is involved wreck
even the sages.
13. This verse illustrates पादाभ्यास or the repeti-
tion of a whole foot. This Yamaka is referred to
as पादाभ्यासं in the neuter in Verse 9. So it will have
to be dissolved as पादस्य अभ्यासः यस्मिंस्तत्. In this verse
the 2nd and 4th feet are the same. न ते etc. This
is addressed to a king in eulogy of his detachment
from worldly pleasures. हे धीर ते धीः रमणीयेषु भोगेषु न संगता,
येषु रमणी संगता एते (भोगाः) मुनीनपि हरन्ति. The idea is, your