काव्यालङ्कार (आचार्य भामह - भारतीय काव्यशास्त्र एवं अलङ्कार-सिद्धान्त मूल महाग्रन्थ सटीक)

SECOND PARICCHHEDA 59
11. आदियमक is illustrated in this verse. A re-
petition of the first three letters occurs at the be-
ginning of every pāda. The illustration is the de-
scription of a king. साधुना राजता (प्रकाशमानेन) तेन (राज्ञा)
सा (प्रसिद्धा) राजता (राज्ञो भावः) अधुना मृता (ऊढा). The first सहित
means a follower or an associate. The second सहित
means हितैः सहितं. कर्तुं In order to associate his fol-
lowers with benefits. संगतं One seeking his com-
pany for refuge. जनं संगतं कर्तुं To make him prosper-
ous or well situate in life.
मध्यान्तयमकम् (ii)
साधुः संसाराद्बिभ्यदस्मादसारात्
कृत्वा क्लेशान्तं याति वर्त्म प्रशान्तम् ।
जातिं व्याधीनां दुर्द्दमानामधीनां
वाञ्छञ्ज्यायस्त्वं छिन्धि मुक्तानयस्त्वम् ॥ १२ ॥
12. A pious man, afraid of this worthless
worldly existence, after putting an end to his
Kleśas (passions), resorts to the path of tranquillity.
If you desire for eminence, abandon wrong ideals
and cut off your birth which is susceptible to dis-
eases beyond control.
12. This verse illustrates मध्यान्तयमक. The syl-
lables सारा, शान्तं, धीनां and यस्त्वं are repeated both in
the middle and the end of all the four Pādas. क्लेश
in the 2nd foot refers either to worries or to the five