काव्यालङ्कार (आचार्य भामह - भारतीय काव्यशास्त्र एवं अलङ्कार-सिद्धान्त मूल महाग्रन्थ सटीक)

158 BHĀMAHĀLAṄKĀRA
48. Their rise and close being equal, when
the Sun is gone to set, the day fatigued goes as
it were into the home of darkness for residence.
48. उत्प्रेक्षावयव illustrated. Inasmuch as तमस्—
Darkness is identified with गृहं—Residence, the ele-
ment of रूपक arises. Inasmuch as the पञ्चम्यन्त (तुल्योद-
यावसानत्वात्) is employed the element of श्लिष्ट arises. The
double meaning in उदय and अवसान is to be noted. उदय
means both beginning and sunrise. अवसान means
both the end and sunset. Inasmuch as the day is
fancied as entering into the abode of darkness, the
element of उत्प्रेक्षा arises. This verse is cited in Lo-
chana, page 41. Vide the following extract :— तृतीयः
प्रकारः—यत्रैकवाच्यांशोऽनेकोऽर्थालंकारस्तत्रापि द्वयोः साम्यात्कस्य व्यङ्ग्यता ।
यथा—‘तुल्योदयावसानत्वादद्गतेऽस्तं प्रति भास्वति । वासाय वासरः श्रान्तो विशतीव
तमोगुहाम् ॥’ इति । अत्र हि स्वामिविपत्तिसमुचितव्रतग्रहणहेवाकिकुलपुत्रकरूपण-
मेकदेशविवर्तिरूपकं दर्शयति । उत्प्रेक्षा चेवशब्देनोक्ता । From this state-
ment it also appears that the identity of the day
with a faithful servant following his master's mis-
fortune is also suggested.
संसृष्ट्यलंकारः (34)
वरा विभूषा संसृष्टिर्बह्वलंकारयोगतः ।
रचिता रत्नमालेव सा चैवमुदिता यथा ॥ ४९ ॥
49. A superior ornament is Saṁsṛṣṭi by the
combination of a number of Alaṁkāras—like a