काव्यालङ्कार (आचार्य भामह - भारतीय काव्यशास्त्र एवं अलङ्कार-सिद्धान्त मूल महाग्रन्थ सटीक)

THIRD PARICCHEDA 159
necklace formed of a number of gems. Example
follows.
49. The author refers to संसृष्टि or a combination
of several Alaṁkāras. It is referred to as वरा विभूषा,
a superior ornament. The author refers to only one
type i.e., the co-existence of a multiplicity of Alaṁ-
kāras. Moderns recognise two types—संसृष्टि and संकर.
The former is a mixture of the तिलतण्डुल type. the
latter a compound of the क्षीरनीर type. संकर arises in
three ways—अङ्गाङ्गिभाव, समप्रधान and संदेह to which a
fourth type is added by Kuvalayānanda viz., एक-
वचनानुप्रवेश. The reader is fortunate in having been
spared all the later ramifications by our author
who recognises only a mixture of several Alaṁ-
kāras. रत्नमालेव Just as a necklace strung of several
gems confers additional beauty on the human per-
son a string of several Alaṁkāras confers beauty
on a literary passage.
गाम्भीर्यलावण्य¹वतोर्यु³वयोः प्राज्य²रत्नयोः ।
सुख⁶सेव्यो जनानां त्वं⁵ दुष्ट⁴ग्राहोऽम्भसां पतिः ॥ ५० ॥
50. Both of you being possessed of depth (unfa-
thomableness) and loveliness (salineness) and both
possessed of an abundance of gems, you are easy of
approach to the people whereas the Ocean is pos-
sessed of wicked crocodiles.
50. संसृष्टि illustrated. This verse is addressed
to a king. He is compared to the Ocean. The king