वासवदत्ता (महाकवि सुबन्धु - श्लेष-प्रधान शास्त्रीय गद्यकाव्य सान्वय सटीक)
Vasavadatta of Mahakavi Subandhu with Commentary
महाकवि सुबन्धु द्वारा
पृष्ठ 36, कुल 244 में से
संदर्भ में पढ़ें16 VĀSAVADATTĀ
of discrimination........ Therefore the kathā (and) ākhyāyikā are
one category marked with a double name ; and here, too, will be
comprised the other categories of stories.' ¹
In support of this statement of Daṇḍin, it may be noted that
the Vāsavadattā, though termed, as we have seen, an ākhyāyikā
lacks the necessary divisions into 'sighs' ; in its opening stanzas
it (like a kathā) describes 'the character of knaves and the like'
(introductory stanzas 6–9) ; and it contains a long episode spoken
by another than the hero—the conversation of the maina with his
mate concerning the heroine of the story. The manifest resem-
blance of the Vāsavadattā to the Kādambarī, which is considered
to be a kathā, together with its unlikeness to the Harṣacarita,
whose technique it should share, were it really an ākhyāyikā, also
serves to confirm the views of Daṇḍin rather than those of the
Sāhityadarpaṇa. One need have little hesitation, therefore, in
regarding the Vāsavadattā as technically a kathā.²
The 'Style' and Rhetorical Embellishments of the Vāsava-
dattā. The rīti, or 'style,' of the Vāsavadattā is the Gāuḍī,
which the Sāhityadarpaṇa (No. 627) defines as follows (cf., in
general, Regnaud, Rhétorique sanskrite, pp. 253–255, Paris, 1884):
ōjaḥprakāśakāir varṇāir bandha āḍambaraḥ punaḥ
samāsabahulā gāuḍī,
'the Gāuḍī, moreover, is a resonant arrangement (of words) with
sounds expressing strength, (and) abounds in compounds.' Vā-
mana, in his Kāvyālaṁkāravṛtti (1. 2. 12), describes this 'style'
as 'consisting of strength (ōjas) and grace (kānti)', while avoiding
'sweetness' (mādhurya) and 'softness' (sāukumārya). Accord-
ing to the Kāvyādarśa (1. 44a, 46a, 54a, 92a), moreover, the
Gāuḍī especially affects alliteration, etymologising, and hyper-
bole.³ When it is added that, as the Kāvyādarśa (1. 14–29) also
¹ It may be mentioned in passing that Ānandavardhana's Dhvanyālōka, 3. 8
(tr. Jacobi, in ZDMG. 56. 789), states that compound words are longer in the
ākhyāyikā than in the kathā.
² I am glad to note that my conclusion in this respect is confirmed by Krishna-
machariar (Introd., pp. 8–9).
³ Krishnamachariar (Introd., pp. 28–29) notes the prevalence in the Vāsavadattā