सङ्गीतरत्नाकर: प्रथम भाग (शार्ङ्गदेव - स्वरगताध्याय सविस्तार व्याख्या व अनुवाद सहित)

Left Page: Page ( 1 )

( 1 )
C. The characteristic features of the particular
jati-s ... 59c-109
(i) Ṣaḍjī ... 60-64b
(ii) Ārṣabhī ... 64c-66
(iii) Gāndhārī ... 67-70b
(iv) Madhyamā ... 70c-72
(v) Pañcamī ... 73-75b
(vi) Dhaivatī ... 75c-77b
(vii) Naiṣādī ... 77c-78
(viii) Ṣaḍjakaiśikī ... 79-80
(ix) Ṣaḍjodīcyavā ... 81-85b
(x) Ṣaḍjamadhyamā ... 85c-88b
(xi) Gāndhārodīcyavā ... 88c-91b
(xii) Raktagāndhārī ... 91c-94
(xiii) Kaiśikī ... 95-98
(xiv) Madhyamodīcyavā ... 99-100
(xv) Karmāravī ... 101-103b
(xvi) Gāndhārapañcamī ... 103c-105b
(xvii) Āndhrī ... 105c-107b
(xviii) Nandayantī ... 107c-109
D. Concluding Remarks ... 110-115b
(i) General remarks-with regard to jati-s ... 110-113b
(ii) The esoteric value and nature of jati-gāna ... 113c-115b
Section 8 : Gīti-s ... 1-25
(i) The Kapāla and the Kambala songs ... 1-14b
(a) The kapāla-gāna ... (1-10)

1. Ṣaḍjī-kapāla ... (2-3b)
2. Ārṣabhī-kapāla ... (3c-4b)
3. Gāndhārī-kapāla ... (4c-5)
4. Madhyamā-kapāla ... (6)
5. Pañcamī-kapāla ... (7)
6. Dhaivatī-kapāla ... (8)
7. Naiṣādī-kapāla ... (9)
8. The value of kapāla-gāna ... (10)
   (b) The kambala-gāna ... (11-13)
   (c) The verbal text of the kapāla
   songs ... (14ab)
   (ii) The definition and classification of gīti-s ... 14c-25
9. Māgadhī ... (16c-18b)
10. Ardhamāgadhī ... (18c-19b)
11. Sambhāvitā ... (19cd)
12. Pṛthulā ... (20ab)
13. Gīti-s based on tāla ... (20c-25)

---

Right Page: Chapter 1

Chapter 1
THE TREATMENT OF SVARA
प्रथमः स्वरगताध्यायः
तत्रादिमं पदार्थसंग्रहाख्यं प्रकरणम्
मङ्गलाचरणम्
ब्रह्मग्रन्थिजमारुतानुगतिना चित्तेन हृत्पङ्कजे
सूरीणामनु रञ्जकः श्रुतिपदं योऽयं स्वयं राजते ।
यस्माद् ग्रामविभागवर्णरचनाऽलङ्कारजातिक्रमो
वन्दे नादतनुं तमुद्धुरजगद्गीतं मुदे शङ्करम् ॥१॥
Section 1
Introductory
(i) Propitiation : 1
For delight¹ do I worship Lord Śiva² embodied in (the
form of) nāda³ pre-eminently adored by the entire world,
the source of order inherent in the division of domains⁴, the

1. The author is offering his prayers without any ulterior motive,
   i. e., for the very delight that accompanies the act of worship,
   and so his prayers are immediately answered.
   2 The word used is Śaṅkara, which is capable of double meaning,
   viz. the name of Lord Śiva, and etymologically, one who
   causes comfort or well-being.
2. Nāda is primordial sound, the manifest quality of the first of
   the five elements of creation, ākāśa (space) in its unmodified
   state.
3. The word grāma is capable of double meaning, viz. the diffe-
   rent loka-s (i. e., world-views) such as Bhūḥ, Bhuvaḥ, etc., and
   the three basic scales—ṣaḍja-grāma, madhyama-grāma and
   gāndhāra-grāma spoken of in ancient music.