रत्नावली नाटिका (सम्राट हर्षवर्धन - शास्त्रीय नाटिका रत्न सम्पूर्ण ४ अङ्क सान्वय सटीक)

APPENDIX D 467
the King. In the meantime Vāsavadattá again came there
for pacifying the King who might have been offended with her
rough behaviour ( cf. हंजे कंचणमाले ! तं तदा चरणणिबडिदं अज्जउत्तं
अवधीरिश्र आवच्छकंतीए मए पदिकूलं किदं । ता दाणिं सच' च्वेव्व गदुश्र
अज्जउत्तं अणुणइस्सं' )। Coming to the place she found Ságariká
and the King together, when the Queen approached and said—
अज्जउत्त जुत्तं एदं सरिसं एदं । So this portion of the main theme
of the Drama is foreshadowed by what is said by Párvati and
Lakshmi to Shiva and Krishna respectively.
Q. 4. Explain Yaugandharáyaṇa's diplomacy in all its
aspects as revealed in Ratnávali (C. U. 1932).
Ans. See the story of the play in the Introduction, pp. xix-
xxiii.
Q. 5. Contrast the character of Vāsavadattá and Ratnávali
in Ratnávali (C. U. 1932).
Ans. See Introduction (Pp. xxxi—xxxii, and General
Criticism, Appendix B).
Q. 6. What is the बीज of Ratnávali? Trace its develop-
ment through the various Acts. (Madras University, 1899).
Ans. See the Critical Remarks at the end of Act I and II.
(Pp. 109-107; Pp. 217-219).
Q. 7. In which class of poetry रत्नावली is included? Who
is the hero of the drama? Discuss the title of the drama.
(Punjab University, 1901),
Ans. See the Introduction (Pp. xiii, xxiii-xiv, and Appendix
B, General Criticism).
13