कुमारसम्भवम् (महाकवि कालिदास - संस्कृत मूल एवं हिन्दी अनुवाद)

( १६१ )
on his forehead Here सा is not followed by, या, which
should have been according to the general rule
'यत्तदोर्नित्यसम्बन्धः', because 'when the sense can be
easily known the relative pronoun may be left -
understood Cf 'प्रक्रान्तप्रसिद्धानुभूतार्थविषयस्तच्छब्दो यदु-
पादानं नापेक्षते ।' कान्तिमती—( कान्ति+मतुप्+ङीप् )
कान्तिः( द्युतिः ) अस्याः अस्तीति कान्तिमती bright ; possessed
of lustre Adj of कला as well as of त्वं ( पार्वती ) कला
—a digit of the moon, which is borne on his forehead
by Shiva नेत्रकौमुदी । कौमुदी—चन्द्रप्रभा the moon-light.
'चन्द्रिका कौमुदी ज्योत्स्ना' इत्यमरः । It is also used for
a thing which is pleasant like the moon-light नेत्र-
कौमुदी—नेत्रयोः कौमुदी like moon-light for the eyes of
people A handsome woman is often called as such,
because she is regarded agreeable to the eyes like the
moon-light Cf 'त्वं कौमुदी नयनयोः अमृतं त्वमङ्गे ' उत्तर-
रामचरितम् ३ २६ It is an Adj. of त्वं as well as of
कला । द्वयं—two things शोचनीयताम् ( √शुच्+अनीय+
ता ) शोकविषयताम् deplorableness गतम्—प्राप्तम् have
become.
In the Kāvya Prakash this verse has been quoted
as an instance of the fault अक्रमत्व i e, the absence of
the syntactical order of words, because the particle च
has been placed after लोकस्य instead of त्वं, which is
its proper position, for it is the word त्वं and not
लोक that is meant to be conjoined with कला ।