काव्यप्रकाश (आचार्य मम्मट - सम्पूर्ण १० उल्लास सटीक)

CHAPTER III 43
तइआ मह गंडत्थलणिमिअं दिट्ठिं ण णेसि अण्णत्तो ।
एण्हि सच्चेअ अहं ते अ कवाला ण सा दिट्ठी ॥१६॥
अत्र मत्सखीं कपोलप्रतिबिम्बितां पश्यतस्ते दृष्टिरन्यैवाभूत्
चलितायां तु तस्यामन्यैव जातेत्यहो प्रच्छन्नकामुकत्वं ते
इति व्यज्यते ।
उद्देशोयं सरसकदलीश्रेणिशोभातिशायी
कुञ्जोत्कर्षादङ्कुरितरमणीविभ्रमो नर्मदायाः ।
किं चैतस्मिन् सुरतसुहृदस्तन्वि ते वान्ति वाता
येषामग्रे सरति कलिताकाण्डकोपो मनोभूः ॥१७॥
it does only in so far as it expresses the question (‘ does the
king bear anger towards me, and not towards the Kurus ?
—and not as it suggests the further meaning of the im-
propriety of anger towards the speaker).
[Hence in so far as the suggestion by the Intonation is concerned,
there is no ‘ subserviency to the expressed meaning ’, specially as
the suggestion appears after the expressed meaning has been duly com-
prehended.]
(d) ‘ At that time you did not turn away your eyes:
fixed as they were upon my cheeks ; now however, even
though I am the same, and the cheeks are the same, yet
that look of yours is no more.’
Here the meaning suggested is—‘ while my friend
was sitting by me her face being reflected in my cheek,
the way in which you looked towards that reflection was
of quite a different character ; when however she has
gone away, it has completely changed,—what a stealthy
lover you are !’
[The suggestion is due to the fact of the sentences containing
the terms ‘ at that time ’ and ‘ now’.]
(e) ‘ This spot on the bank of the Narmadā is redolent
with the beauty of fresh plantain-groves, and excites