काव्यप्रकाश (आचार्य मम्मट - सम्पूर्ण १० उल्लास सटीक)

348 KĀVYAPRAKĀŚA
उदाहरणम्--
तनुवपुरजघन्योऽसौ करिकुञ्जररुधिररक्तखरनखरः ।
तेजोधाम महःपृथुमनसामिन्द्रो हरिर्जिष्णुः ॥३९१॥
अत्रैकस्मिन् पदे परिवर्तिते नालंकार इति शब्दाश्रयः
अपरस्मिंस्तु परिवर्तितेऽपि स न हीयते इत्यर्थनिष्ठ इत्युभया-
लंकारोयम् ॥८६॥
इति काव्यप्रकाशे शब्दालंकारनिर्णयो नाम नवम उल्लासः ॥
And also in both Word and Meaning. 86.
Example—
'Tanuvapurajaghanyo'sau karikuñjararudhiraraktakharanakharaḥ
Tejodhāma mahaḥpṛthumanasāmindro harirjiṣṇuḥ'.
'This lion, though slim, is yet mighty,—having his
sharp nails reddened with the blood of mighty elephants,
the receptacle of glory, the leader of the glorious and the
brave, and ever victorious.'
[Here we have the 'Semblance of Repetition' in—(1)
'tanu-vapuḥ', (2) 'kari-kuñjara', (3) 'rudhira-rakta',
(4) 'tejo-dhāma-mahaḥ' and (5) 'indro-harir-jiṣṇuḥ'];
and among these some of the words—'tanu', 'kuñjara',
'rakta', 'dhāma', 'hari' and 'jiṣṇu'—are such as cannot
be altered without spoiling the effect of the Figure of
Speech; and to this extent the Figure subsists in words,
and is 'verbal';—while others—'vapuḥ', 'kari', 'rudhira'
and 'indra'—are such as can be replaced by their synonyms
without spoiling the effect, and to this extent, the Figure
subsists in the meaning, and is 'ideal'. And thus the
Figure belongs to both, Word and Meaning. 86.
Thus ends chapter IX of the Kāvya Prakāsha, dealing with the
Verbal Figures of Speech.