सामग्री पर जाएँ
सर्वकोश
काव्यप्रकाश (आचार्य मम्मट - सम्पूर्ण १० उल्लास सटीक)

काव्यप्रकाश (आचार्य मम्मट - सम्पूर्ण १० उल्लास सटीक)

Kavyaprakasha of Mammata with Hindi Commentary

आचार्य मम्मट / पं. विश्वेश्वर सिद्धान्तशिरोमणि द्वारा

DevanagariSanskritpublished616 पृष्ठ

पृष्ठ 336, कुल 616 में से

संदर्भ में पढ़ें
पृष्ठ 336

CHAPTER VII 283
अत्र रतिपरिहारादीनामनुभावानां करुणादावपि संभवा-
त्कामिनीरूपो विभावो यत्नतः प्रतिपाद्यः ॥
(६) प्रसादे वर्तस्व प्रकटय मुदं संत्यज रुषं
प्रिये शुष्यन्त्यङ्गान्यमृतमिव तें सिञ्चतु वचः ।
निधानं सौख्यानां क्षणमभिमुखं स्थापय मुखं
न मुग्धे प्रत्येतुं प्रभवति गतः कालहरिणः ॥३२७॥
अत्र शृङ्गारे प्रतिकूलस्य शान्तस्यानित्यताप्रकाशनरूपो
विभावस्तत्प्रकाशितो निर्वेदश्च व्यभिचारी उपात्तः॥
णिहुअरमणम्मि लोअणपहम्मि पडिए गुरुअणमज्झम्मि ।
सअलपरिहारहिअआ वणगमणं एव्व महइ वहू ॥३२८॥
is the excitant; specially as the ensuants described are such
as could be due to the Passion of Pathos also.
[This is what is meant by the excitant being 'farfetched']
(6a) 'Do be propitiated; O my love! give expression
to joyfulness and give up anger; let thy nectarine voice
sprinkle my withering limbs. Just for a moment keep
your face, the very fount of felicity, before me. O lovely
damsel, past opportunities never come again.'
What is described here is : (1) an excitant, in the shape
of the man's expression of the notion of the impermanence
of pleasures, and also (2) a variant emotion, in the shape
of self-disparagement,—both of which are concomitants
helpful to the Quietistic Passion, but adverse to (and marring
the effect of) the Erotic (which is the Passion described).
[Thus, this is an example of the admission of adverse concomitants
in the shape of discordant excitant and variants.]
(6b) 'Her eyes having fallen upon her lover, while
she was among her elders, she withdraws her heart from
all work and is anxious to proceed to the forest.'