काव्यप्रकाश (आचार्य मम्मट - सम्पूर्ण १० उल्लास सटीक)

232 KĀVYAPRAKĀŚA
इति प्रसिद्धिमतिक्रान्तम् । यथा
महाप्रलयमारुतक्षुभितपुष्करावर्तक-
प्रचण्डघनगर्जितप्रतिरुतानुकारी मुहुः ।
रवः श्रवणभैरवः स्थगितरोदसीकन्दरः
कुतोद्य समरोदधेरयमभूतपूर्वः पुरः ॥ २४२ ॥
अत्र रवो मण्डूकादिषु प्रसिद्धो न तूक्तविशेषे सिंहनादे ॥
(१९) भग्नः प्रक्रमः प्रस्तावः यत्र । यथा
नाथे निशाया नियतेर्नियोगादस्तं गते हन्त निशापि याता ।
कुलाङ्गनानां हि दशानुरूपं नातःपरं भद्रतरं समस्ति ॥२४३॥
We have an example of this in the following—
‘Mahāpralayamārutakṣubhitapuṣkarāvartaka—
Pracaṇḍaghanagarjitapratirutānukārī muhuḥ
Ravaḥ śravaṇabhairavaḥ sthagitarodasīkandaraḥ
Kutodya samarodadherayamabhūtapūrvaḥ puraḥ’.
‘Whence this unprecedented ear-splitting sound of the
ocean of battle, pervading the entire valley between the
earth and the heavens, and resembling the echo of the
thundering of clouds tossed about by storms during uni-
versal dissolution ?’
The word ‘rava’ (sound) that is used here is generally
used in the sense of the noise made by frogs and such ani-
mals, and not in that of the particular leonine roar, here
referred to.
(19) The following is an example of ‘Broken Unifor-
mity’, i. e. where the ‘uniformity’, i. e. continuity of sequ-
ence, is broken :—
‘Nāthe niśāyā niyaterniyogād
Astaṁ gate hanta niśāpi yātā
Kulāṅganānāṁ hi daśānurūpaṁ
Nātaḥ paraṁ bhadrataraṁ samasti.’