काव्यप्रकाश (आचार्य मम्मट - सम्पूर्ण १० उल्लास सटीक)

224 KĀVYAPRAKĀŚA
यथा वा
चत्वारो वयमृत्विजः स भगवान् कर्मोपदेष्टा हरिः
संग्रामाध्वरदीक्षितो नरपतिः पत्नी गृहीतव्रता ।
कौरव्याः पशवः प्रियापरिभवक्लेशोपशान्तिः फलं
राजन्योपनिमन्त्रणाय रसति स्फीतं हतो दुन्दुभिः ॥२३१॥
अत्राध्वरशब्दः समासे गुणीभूत इति न तदर्थः सर्वैः संयुज्यते । यथा वा
जङ्घाकाण्डोरुनालो नखकिरणलसत्केसरालीकरालः
प्रत्यग्रालक्तकाभाप्रसरकिसलयो मञ्जुमञ्जीरभृङ्गः ।
Another example—
Chatvāro vayamṛtvijaḥ sa bhagavān karmopadeṣṭā hariḥ
Saṁgrāmādhvaradīkṣito narapatiḥ patnī gṛhītavratā
Kauravyāḥ pashavaḥ priyāparibhavakleshopashāntiḥ phalaṁ
Rājanyopanimantraṇāya rasati sphītaṁ hato dundubhiḥ.’
‘ We four are the sacrificial priests; the blessed Hari
is the spiritual adviser; the king has been initiated for
the battle-ritual; and his wife is keeping the vows; the
Kurus are the animals (to be sacrificed); the result aimed
at is the allayment of the pain caused by the molestation
of our beloved wife; the battle-drum is being sounded
for the purpose of inviting the Kṣattriyas (to the
sacrifice)’.
Here the term ‘adhvara’, ‘sacrifice’, has been made a
subordinate member of the compound, and hence what is
denoted by it fails to be connected with all the sacrificial
details mentioned.
The following is yet another example;—
‘Jaṅghākāṇḍorunālo nakhakiraṇalasatkesarālīkarālaḥ
Pratyagrālaktakābhāprasarakisalayo mañjumañjīrabhṛṅgaḥ