काव्यप्रकाश (आचार्य मम्मट - सम्पूर्ण १० उल्लास सटीक)

CHAPTER VII 193
अत्र योसाविति पदद्वयमनुवाद्यमात्रप्रतीतिकृत् ।
तथाहि—प्रक्रान्तप्रसिद्धानुभूतार्थविषयस्तच्छब्दो यच्छब्दो-
पादानं नापेक्षते ।
क्रमेणोदाहरणम् ।
कातर्यं केवला नीतिः शौर्यं श्वापदचेष्टितम् ।
अतः सिद्धिं समेताभ्यामुभाभ्यामन्वियेष सः ॥१८५॥
द्वयं गतं संप्रति शोचनीयतां समागमप्रार्थनया कपालिनः ।
कला च सा कान्तिमती कलावतस्त्वमस्य लोकस्य च नेत्रकौमुदी
॥१८६॥
Here the two pronouns ‘yaḥ and asau’ only serve to
point out the person as merely referred to [and the
predicative pronoun ‘he’, ‘saḥ’, is wanting].
It is the pronoun ‘tat’, ‘that’, which, standing as it
does for (a) what has been spoken of before, or (b) what
is well-known, or (c) what has been already seen or heard
of, does not require the corresponding pronoun ‘yat’,
‘which’ or ‘what’; as for example—
(a) ‘Kātaryaṁ..................saḥ’.—‘Regarding pure
statesmanship as a weakness, and sheer valour to be beast-
like, he always sought to attain success by both these
means’;—[Here the pronoun ‘saḥ’, ‘he’, stands for the
king spoken of before, and hence the corresponding ‘who’
is not required] ;—
(b) ‘Dvayaṁ......kalā cha sā......kaumudī—‘By seeking
to be associated with the God of the Begging Bowl, two
things have become objects of concern—that resplendent
digit of the moon and thyself, who art like moonlight to
the eyes of this world ;’—[Here the pronoun ‘sā’ re-
ferring to the well-known digit of the moon on Śiva’s
forehead, does not require the corresponding ‘yā’] ;—
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