सामग्री पर जाएँ
सर्वकोश
काव्यप्रकाश (आचार्य मम्मट - सम्पूर्ण १० उल्लास सटीक)

काव्यप्रकाश (आचार्य मम्मट - सम्पूर्ण १० उल्लास सटीक)

Kavyaprakasha of Mammata with Hindi Commentary

आचार्य मम्मट / पं. विश्वेश्वर सिद्धान्तशिरोमणि द्वारा

DevanagariSanskritpublished616 पृष्ठ

पृष्ठ 186, कुल 616 में से

संदर्भ में पढ़ें
पृष्ठ 186

CHAPTER V 133
सालङ्कारैर्ध्वनेस्तैश्च योगः ] संसृष्ट्यलङ्कारैः ।
सालंकारैरिति तैरेवालंकारैः अलंकारयुक्तैश्च तैः। तदुक्तं ध्वनिकृता
“स गुणीभूतव्यङ्ग्यैः सालंकारैः सह प्रभेदैः स्वैः।
संकरसंसृष्टिभ्यां पुनरप्युद्द्योतते बहुधा ॥” इति ।
अन्योन्ययोगादेवं स्याद्भेदसंख्यातिभूयसी ॥ ४७ ॥
of Speech are suggested by a mere Fact, they only serve
the purpose of making it regarded as ‘Suggestive Poetry’;
because the existence of poetry rests upon those
Figures (which, therefore, cannot be regarded as ‘Subor-
dinate’ to the expressed meaning). 46.
There is a combination of ‘Suggestive Poetry, with these
(eight varieties of Poetry of Subordinate Suggestion) (a) as
transformed into ‘Figures’ (the ‘sentimental,’ the ‘agreeable’
and so forth), and also (b) as accompanied (embellished) by
(other) Figures (directly expressed),—this combination being
per subserviency as also per equality.
The term ‘sālaṅkāraiḥ’ is to be expounded as
‘alaṅkāraiḥ’—‘with these as themselves transformed
into, assuming the character of, Figures of speech,’—
and ‘alaṅkārayuktaiḥ,’ ‘with those as embellished by
other figures of speech.’
The following declaration has been made by the author
of the Dhvani :—
‘This (Suggestive Poetry),—combining, per sub-
serviency and per equality, with its own varieties, as also
with the varieties of Poetry of Subordinate Suggestion,
along with the Figure of Speech,—appears in many
forms’.
Thus by mutual combination the number of its varieties
becomes very large.—(47).