काव्यप्रकाश (आचार्य मम्मट - सम्पूर्ण १० उल्लास सटीक)

114 KĀVYAPRAKĀŚA
अत्रासाविति भुवनेष्विति गुणैरिति सर्वनामप्रातिपदिकवच-
नानां न त्वदिति न मदिति अपि अस्मदित्यस्य सर्वाक्षेपिणः
भाग्यविपर्ययादित्यन्यथासंपत्तिमुखेन न त्वभावमुखेनाभिधानस्य ।
तरुणिमनि कलयति कलामनुमदनधनुर्भ्रुवोः पठत्यग्रे ।
अधिवसति सकलललनामौलिमियं चकितहरिणचलनयना ॥१९०॥
अत्र इमनिजव्ययीभावकर्मभूताधाराणां स्वरूपस्य तरुणत्वे,
इति धनुषः समीपे, इति मौलौ वसतीति त्वादिभिस्तुल्ये, एषां
वाचकत्वे, अस्ति कश्चित् स्वरूपस्य विशेषो यश्चमत्कारकारी
स एव व्यञ्जकत्वं प्राप्नोति ।
concerned,—and (e) by the term ‘bhāgyaviparyayāt,’
‘reversal of fortune,’ which means that it is not only that
we have no fortune or luck, but that our fortune has taken
an entirely wrong turn.
Taruṇimani kalayati kalāmanumadanadhanurbhruvoḥ
paṭhatyagre.
Adhivasati sakalalalanāmaulimiyam chakitahariṇachalana-
yanā.
‘On youthfulness being fully developed in vivacity,
and the eye-brows having become instructed in liveliness
under the guidance of Cupid’s Bow, she with eyes unsteady
like that of the fawn occupies the highest position among
damsels.’
Here the Erotic Passion is suggested by the form (a)
of the ‘imanich’ affix (in ‘taruṇimani’), (b) of the Avyayī-
bhāva compound (‘anumadanadhanuḥ’), (c) of the locative
used accusatively (in ‘maulim’). The expressed meaning
of each of these would be exactly the same as that res-
pectively of (a) ‘taruṇatve’, with the nominal affix ‘tva’
(instead of ‘imanich’), (b) ‘madanadhanuṣaḥ samīpe,’ and