सामग्री पर जाएँ
सर्वकोश
काव्यप्रकाश (आचार्य मम्मट - सम्पूर्ण १० उल्लास सटीक)

काव्यप्रकाश (आचार्य मम्मट - सम्पूर्ण १० उल्लास सटीक)

Kavyaprakasha of Mammata with Hindi Commentary

आचार्य मम्मट / पं. विश्वेश्वर सिद्धान्तशिरोमणि द्वारा

DevanagariSanskritpublished616 पृष्ठ

पृष्ठ 134, कुल 616 में से

संदर्भ में पढ़ें
पृष्ठ 134

CHAPTER IV 81
अविरुद्धावपि त्वदनुवर्तनार्थमेकं कार्यं कुरुत इति ध्वन्यते ।
अर्थशक्त्युद्भवोप्यर्थो व्यञ्जकः संभवी स्वतः ॥ ३९ ॥
प्रौढोक्तिमात्रसिद्धो वा कवेस्तेनोम्भितस्य वा ।
वस्तु वालंकृतिर्वेति षड्भेदोऽसौ व्यनक्ति यत् ॥ ४० ॥
वस्त्वलंकारमथवा तेनायं द्वादशात्मकः ।
स्वतःसंभवी न केवलं भणितिमात्रनिष्पन्नो यावद्बहिरप्यौ-
चित्येन संभाव्यमानः । कविना प्रतिभामात्रेण बहिरसन्नपि
निर्मितः कविनिबद्धेन वक्त्रेति वा द्विविधोऽपर इति त्रिविधः ।
[Another example of the same kind]—
‘ O King, when you are angry with a man, both Śani
(the evil planet Saturn) and Aśani (the thunderbolt)
strike him fiercely ; while when you are pleased with a
man, he shines nobly (udāra) and has his wife obedient to
him (anudārā)’.
Here what is suggested is that even mutually con-
tradictory forces (Śani—Aśani, and Udāra—Anudārā)
co-operate in obeying your wishes.
Inasmuch as the suggestive object ‘ based upon the force of
the meaning’ is either (a) self-existent or (b) owing its existence
to the bold assertion of the poet or (c) owing its existence to
the bold assertion of some character portrayed by the poet ;—
each of these three being either a figure of speech or a bare fact,
it comes to be of six kinds (39-40) ; and since each of these
suggests a figure or a fact, it comes to be of twelve kinds.
(a) ‘ Self-existent’—Not only created by the words
of the poet, but having a real existence in the world ;
—(b) created by the poet’s imagination, and having no
real existence in the external world ;—(c) created by the
imagination of a speaker portrayed by the poet ;—these
two non-existent varieties along with the former make the
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