सामग्री पर जाएँ
सर्वकोश
काव्यमीमांसा (महाकवि राजशेखर - कवि-रहस्य एवं देश-विभाग सटीक)

काव्यमीमांसा (महाकवि राजशेखर - कवि-रहस्य एवं देश-विभाग सटीक)

Kavyamimamsa of Rajasekhara with Hindi Commentary

महाकवि राजशेखर / पं. केदारनाथ शर्मा द्वारा

DevanagariSanskritpublished381 पृष्ठ

पृष्ठ 202, कुल 381 में से

संदर्भ में पढ़ें
पृष्ठ 202
    1. अथ etc. After tracing the origin and history of
      metrical composition, the author in the next two pages (8-9)
      seeks to explain the varieties of poetical composition in
      accordance with the natural surroundings, and customs and
      manners of the different people. These are called styles and
      Rājaśekhara classifies them into four distinct groups. These
      four groups, each consisting of Pravṛtti, Rīti and Vṛtti, are already
      mentioned by Bharata in chapter 13 of his Nāṭyaśāstra. Rāja-
      śekhara adds to the description of the four groups, four verses of
      his own, describing women's dress in four parts of India with
      the preamble—तां ते मुनयोऽभितुष्टुवुः and seeks in these pages to discover
      scientific explanations for the different styles of writings which
      existed in early Sanskrit compositions. Incidentally, he mentions
      also the four Pravṛttis or वेषविन्यास, Vṛttis or विलास‌विन्यास and Rītis or
      वचनविन्यास adopted by the people living in the four divisions of India.
      In the eastern part of India, there are: Audramāgadhī
      Pravṛtti, Bhāratī Vṛtti and Gauḍīyā Rīti.
      In the Pāñcāla country, there exist: Pāñcālamadhyamā
      Pravṛtti, Sāttvatī and Ārabhaṭī Vṛttis and Pāñcālī Rīti.
      The countries of Avanti etc. have: Āvantī Pravṛtti,
      Sāttvatī and Kaiśikī Vṛttis.
      The Southern part of India has: Dākṣiṇātyā Pravṛtti,
      Kaiśikī Vṛtti and Vaidarbhī Rīti.
      Among the Pravṛttis, Vṛttis and Rītis mentioned above
      Rājaśekhara seems to attach a relative superiority to the Vaidarbhī,
      Kaiśikī and Dākṣiṇātyā style of the southern India; because he
      states that Kāvyapuruṣa was pleased and brought under control by
      Sāhityavidyāvadhū only through the style current in South India.
      It seems, however, strange that he failed to recognize the Lāṭīyā
      Rīti of the dialects of the countries Avanti etc. though the whole
      of the Avanti or Lāṭa country had been frequently described by
      him in his works. (See Kāvyamīmāṁsā p. 34. l. 7 and Bāla-
      rāmāyaṇa, act X). The reason for this, seems to be that he did
      not favour the idea of creating a new Rīti of Lāṭīyā as proposed
      for the first time by Rudraṭa, because there is not much difference
      between the two Rītis, Pāñcālī and Lāṭīyā. In the history of the
      development of Rītis, Bhāmaha did not acknowledge the existence