काव्यमीमांसा (महाकवि राजशेखर - कवि-रहस्य एवं देश-विभाग सटीक)

133 EXPLANATORY NOTES
Sāhitya in his S'ṛṅgāraprakāśa ( VII ) where it is explained in the
following words:—
तत्राभिधाविवक्षातात्पर्यप्रविभागव्यपेक्षासामर्थ्यान्वयैकार्थीभावदोषहानगुणोपादानालङ्कारयोगर-
सावियोगरूपाः शब्दार्थयोर्द्वादश संबन्धाः साहित्यमित्युच्यते ॥
Following this statement of Bhoja, S'āradātanaya in his
Bhāvaprakāśana ( p. 145. ll. 6-12) defines Sāhitya and gives
several illustrations. The twelve varieties of relation between the
S'abda and its Artha as described in the above quotation from
Bhoja are probably indicated by Rājaśekhara in the phrase,
यथावत्सहभावेन विद्या. It may also be remembered here that Kālidāsa
makes a mention of this Sāhitya of S'abda and Artha in the
beginning of his Raghuvamśa.

• [ l. 14 For the 64 kalās see कामसूत्र 1-3-16 ]
  l. 14. 64 Upavidyās are enumerated by Vātsyāyana in his
  Kāmasūtra 1-3-16. Another set of 64 Aṅgas of the Pāñcālas
  also is mentioned in the above work to complete the सांप्रयोगिकाधिकरण
  of the Kāmasūtra. Vātsyāyana himself calls these Upavidyās
  by the common name of Kalā in his Kāmasūtra ( 2-2-3. )
  आजीव:=livelihood. These Kalās are introduced as a matter
  of necessity in the best Kāvyas, and, therefore, it is necessary
  that poets should be well conversant with these subjects.
  l. 15. The last Adhikaraṇa of the Kāvyamīmāṁsā is called
  औपनिषदिक where directions are given for obtaining poetical excellance
  through magical practices, such as the practice of Mantras and
  Tāntric rites. This statement also indicates that Rājaśekhara
  wanted to complete the present work in eighteen Adhikaraṇas.
  Adhyāya. III.
  l. 20 काव्यपुरुषोत्पत्तिः । In this chapter the author traces
  the origin of metrical composition, gives an account of its sub-
  sequent developments in a chronological order, and makes
  an endeavour to connect them with the customs and manners
  prevalent in the different parts of India. And in doing so, he
  travels beyond the range of history to mythology and traces
  the origin of poetry from an imaginary Kāvyapuruṣa who is
  supposed to be the embodiment of the whole classical literature.