काव्यालङ्कार (आचार्य भामह - भारतीय काव्यशास्त्र एवं अलङ्कार-सिद्धान्त मूल महाग्रन्थ सटीक)

74 BHĀMAHĀLAṄKĀRA
of a statement or at its middle or at its end. This
threefold location of the predicate gives rise to the
threefold varieties of आदिदीपक, मध्यदीपक and अन्तदीपक
which are respectively illustrated in Verses 27,
28 & 29. Verse 25 gives the said threefold classifi-
cation. Verse 26 hints the definition of दीपक. अर्थ-
दीपनात् By illuminating the objects. The 1st half of
this vese is cited in Lochana (page 38) while dealing
with the point that in a Dīpaka, though उपमा is
suggested there is no Dhvani since the suggestion
does not predominate over दीपक.
आदिदीपकम् (i)
मदो जनयति प्रीतिं साऽनङ्गं मानभङ्गुरम् ।
स प्रियासंगमोत्कण्ठां साऽसह्यां मनसः शुचम् ॥ २७ ॥
27. Infatuation gives rise to attachment,
attachment to love destructive of self-respect, love
to an eagerness for the beloved’s union and eager-
ness to intolerable pain of the mind.
27. This verse illustrates आदिदीपक. जनयति em-
ployed in the first sentence is to be taken along
with the succeeding three sentences also. This may
be treated also as an illustration of मालादीपक accord-
ing to Daṇḍin. Abhinavagupta in his Lochana,
commenting on the Dhvanyāloka passage—अपह्नुति-
दीपकयोः पुनर्वाच्यस्य प्राधान्यं व्यङ्ग्यस्यानुयायित्वं प्रसिद्धमेव (N. S. P. edi-