काव्यालङ्कार (आचार्य भामह - भारतीय काव्यशास्त्र एवं अलङ्कार-सिद्धान्त मूल महाग्रन्थ सटीक)

SECOND PARICCHEDA 53
hāra III—32) इत्यत्र हि श्रव्यत्वमसमस्तत्वं चास्त्येवेति भावः । यो यः
शस्त्रं etc. is generally accepted as an illustration of
Ojas. Hemachandra also in his Kāvyānuśāsana
Ṭīkā criticises the view of Bhāmaha at page 201
thus—तेन ‘श्रव्यं नातिसमस्तार्थशब्दं मधुरमिष्यते’ इति माधुर्यलक्षणत्वेन
श्रव्यत्वं यद्बामहेनोक्तं तन्न युक्तमित्यर्थः ।
पञ्चालंकाराः ।
अनुप्रासः सयमको रूपकं दीपकोपमे ।
इति वाचामलंकाराः पञ्चैवान्यैरुदाहृताः ॥ ४ ॥
4. Others have propounded only five Alaṁ-
kāras—Anuprāsa, Yamaka, Rūpaka, Dīpaka and
Upamā as figures of speech.
4. In this chapter Bhāmaha treats of 2 Śabdā-
laṁkāras and 19 Arthālaṁkāras. This verse as a
1st instalment sets out a batch of 5 figures of speech
viz., 2 Śabdālaṁkāras—अनुप्रास and यमक and 3 Arthā-
laṁkāras—रूपक, दीपक and उपमा. पञ्चैवान्यैरुदाहृताः. This
refers to the earliest stage in the development of
Alaṁkāra Śāstra. अन्यैः is used because Bhāmaha is
going to treat of many Alaṁkāras, 16 more in this
and 24 in the next chapter. शब्दालंकार means a literary
embellishment bearing upon the sound, अर्थालंकार bear-
ing upon the sense. Of course a combination of
both is possible in a particular passage. The clas-
sification into Śabdālaṁkāra and Arthālaṁkāra is
not made by Bhāmaha as such.