सामग्री पर जाएँ
सर्वकोश
कामिक आगम: पूर्व भाग (अष्टाविंशति मूल शैव आगमों का प्रथम एवं सर्वोच्च आगम महाकोश)

कामिक आगम: पूर्व भाग (अष्टाविंशति मूल शैव आगमों का प्रथम एवं सर्वोच्च आगम महाकोश)

Kamika Agama: Purva Pada (Primary Shaiva Agama)

सद्योजात शिवमुखोद्भूत (सम्पादक: सी. स्वामीनाथ शिवचार्य) द्वारा

DevanagariSanskritpublished1,174 पृष्ठ

पृष्ठ 247, कुल 1174 में से

संदर्भ में पढ़ें
पृष्ठ 247

In the direction of west and north-west, he should offer the bali for Kshetrapala. This process is applicable
in the personal worship being done in the houses and other places and in the worship performed in the temples.
Especially in the temples, with regard to the retinue Lords such as Nandi and others, the bali should be offered
separately for each Deity. The bali related to the fire-ritual also should be offered in the same way.
समाचम्य शुचिर्भूतो सकलीकृत विग्रहः।
ततो लिङ्गान्तिकं गत्वा प्रतर्प्यानन्तरक्रियाम्॥ ११२
गीताद्यैरुपचारैश्च भूयस्सन्तोषयेच्छिवम्।
नित्योत्सवं ततः कुर्याच्छुद्धाख्यं नृत्तमान्तिमे॥ ११३
कारयेद्देशिको धीमान् परार्थे देवसद्मनि।
samācamya śucirbhūto sakalīkṛta vigrahaḥ|
tato liṅgāntikaṁ gatvā pratarpyānantarakriyām|| 112
gītādyairupacāraiśca bhūyassantoṣayecchivam|
nityotsavaṁ tataḥ kuryācchuddhākhyaṁ nṛttamantime|| 113
kārayeddeśiko dhīmān parārthe devasadmani|
Then the Acharya should do acamana and purify himself and assume the identical form of Siva by means
of ‘sakalikarana’(charging the body with samhia mantras). Then, having gone near the Linga, he should
supplicate to give consent for performing various services to be done after the completion of the ritualistic
events. He should delight the Lord repeatedly by various services such as singing and others. Then he should
perform the daily festival and finally he should arrange for the performance of ‘suddha nrutta’. The learned
Acharya should do all these in the parartha puja performed in the temple.
उत्सवं शुद्धनृत्तं च गृहाग्रे न समाचरेत्॥ ११४
गानं च कारयेदन्ते यथा तुष्टो महेश्वरः।
गन्धैः पुष्पैश्च संपूज्य दत्वार्घ्यं च पराङ्मुखम्॥ ११५
दर्शयित्वा परां मुद्रां उत्थाप्याङ्गानि हेतिना।
संहारिणं शिवं ध्यात्वा मूर्तौ मूर्तिं नियोजयेत्॥ ११६
utsavaṁ śuddhanṛttaṁ ca gṛhāgre na samācaret|| 114
gānaṁ ca kārayedante yathā tuṣṭo maheśvaraḥ|
gandhaiḥ puṣpaiśca sampūjya datvārghyaṁ ca parāṅmukham|| 115
darśayitvā parāṁ mudrāṁ utthāpyāṅgāni hetinā|
saṁhāriṇaṁ śivaṁ dhyātvā mūrtau mūrtiṁ niyojayet|| 116
The festival and the ‘suddha nrutta’ should not be performed in front of the house(in the case of atmartha
puja). At the closing phase of the events, he should arrange for musical recital in such a specific way that
the Lord gets immemsely delighted. Then he should worship the Lord with sandal and flowers and offer the
arghya-water meant for the farewell(paranmukha arghya). Having displayed the ‘para’ mudra, he should
make the anga-devatas to raise from their seats with the recital of kavaca mantra. Then , having meditated