उत्तररामचरितम् (महाकवि भवभूति - संस्कृत मूल एवं हिन्दी व्याख्या)

tive base however, is चित्तविकार 'मान्-वध्-दान्-शान् भ्यो दीर्घश्चाभ्यासस्य'
पा० 3 1 6, a वार्तिक on which says 'वधेर्चित्तविकारे' The ablative
येभ्य is used in connection with बीभत्समाना according to the वार्त्तिक
'जुगुप्सा विराम प्रमादार्थानामुपसंख्यानम्' (on पा० II 3 25.) (verbs having
the sense of disgust, 'cessation, 'error govern the ablative)
विश्राम्यन्ति take rest repose मनीषिण wise men. 'धीरो मनीषी ज्ञ प्राज्ञ '
इत्यमर मनीषिन्-मनीषा अस्य अस्ति इनि (मनीषा + affix इन्) In the
जाबालोपनिषद् we read 'अथ पुनरव्रती वा व्रती वा स्नातको वाऽस्नातको वा
उत्सन्नाग्निरो वा यदहरेव विरजेत्तदहरेव प्रव्रजेत्' रामभद्र-The word भद्र is
used by elderly persons when addressing young persons It in-
dicates some superiority in the persons using it When दशरथ
ruled the कञ्चुकिन् was in the habit of addressing prince राम in
this way The same familiar mode of address occurs to him now
but he recollects that राम is no longer a mere prince but king
कञ्चुकिन् is generally an old and trusted ब्राह्मण attendant on the
womens apartments. भरत uses the form कञ्चुकीय 'ये विप्रा सत्य-
सम्पन्ना कामदोषविवर्जिताः । ज्ञानविज्ञानकुशलाः कञ्चुकीयास्तु ते स्मृताः ॥'
नाट्यशास्त्र 24 59 उपचार mode of address मां प्रति towards me
तत्-therefore यथाभ्यस्तम् (अभ्यासमतिऋम्य-अव्ययीभाव )-as you are
accustomed to do अभिधीयताम् Imperative third per sing pass of
धा with अभि ( to speak or address ) This sentence shows the
kindness and courtesy of राम to his servants अष्टावक name of a
sage (अष्टौ वक्राणि यस्य) We have अष्टावक in accordance with 'अष्टन
मज्ञायाम्' पा० 6 3 125 (उत्तरपदे दीर्घ । अष्टापद ) आर्य गम्यते--This
is addressed to कञ्चुकी-Sir, why then do you delay ? सन्ति
governs the dative 'नमः स्वस्तिस्वाहास्वधालंवषड्योगाच्च' पा 2 3 16
इत आस्ताम्-This is a polite way of saying sit here सजामातुकस्य-
The son in law referred to is ऋष्यशृङ्ग अपि कुशल-Is it all right ?
अपि Introduces a question निर्विघ्न गृह Is it all right with
revered ऋष्यशृङ्ग, my brother in law and habitual drinker of
सोम ? निर्विघ्न निर्गान्ता विज्ञा यस्मात् सोमपीथी-सोमस्य पीथः पानं अस्य अस्ति
इनि सोमपीथिन् Some editions read सोमपीति (सोमस्य पीतं पानं अस्य अस्ति
इनि सोमपीतिन् ) which means the same thing क्षीरस्वामी comment-
ing upon अमरसिंह reads सोमपीथी and n t ०पीती and remarks
'सोमपीथी तु प्राच्या पाठः । सर्वदायम्, दीक्षितस्तु तच्छीलम्' It explains
'कृतसोमलता रसपान यथाऽनुष्ठितसोमयाग' इत्यर्थ ' आवुत्त-sisters hus-
band. N reads भावुक , which means 'auspicious' 'भावुकं भवितृ
कुशलं क्षेममस्त्रियाम्' इत्यमर अप्यानू स्मरति Or does she remember
us ? G, N and Ch read अस्मानपि स्मरति (does she remember
us also) अथ किम् (हन्त what else ) yes just so कुलगुरु precep-
tor of the race (of solar kings)

Page 9 Verse 9 विश्वम्भरा—विश्वं बिभर्ति इति—the earth
(which supports all) The word is formed according to the
Sûtra 'संज्ञायां भृ-वृ-जि-धारि-सहितपिदम' पा० 3. 2 46 (विश्वम्भर । विश्वं
म्भरा । रदन्तर साम । पतिंवरा कन्या । सि को ) असूस्त—Imperfect 3rd
per sing of सू 2nd con A. This line alludes to the story of
the birth of सीता from the furrowed earth, for which see p
10 above प्रजापतिना ब्रह्मणा समं तुल्यं or प्रजापतिभिः सम प्रजापति
may mean either Brahma' or one of the ten (or nine) मानस
पुत्रs of the creator 'अथान्यान्मानसान्पुत्रान् सदृशानात्मनोऽसृजत् ॥ 4
भृगुं पुलस्त्यं पुलहं क्रतुमङ्गिरसं तथा । मरीचिं दक्षमत्रिं च वसिष्ठं चैव तान्दशान् ॥ 5
नव ब्रह्माण इत्येते पुराणे निश्चयं गताः । विष्णुपुराण 1 7 and मार्कण्डेयपुरा०
50 4-6 जनक is spoken of in the उपनिषदs as a ब्रह्मविद् and as
one who had attained मोक्ष 'अभयं वै जनक प्राप्तोऽसि' Construe
(हे) नन्दिनि, तथा पार्थिवानां त्वं वधूः असि येषां कुलेषु सविता गुरुः वयं च
(गुरवः) नन्दिनी making happy daughter वसिष्ठ may, of course,
address सीता as नन्दिनी वधू daughter in law गुरु—one
deserving to be honoured, a preceptor The kings referred to
are those like दशरथ who were scions of the solar race The
plural वय is used by वसिष्ठ either because he is a great sage or
because he includes विश्वामित्र, वामदेव along with himself among the
preceptors of the solar race तत्-- श्यामहै therefore, what else
shall we wish for you? As सीता was born of such a noble mother
as the earth and such a magnanimous and wise king like जनक,
and as she was a daughter in law of the high born and prosperous
solar kings, she was wanting in no good quality, and therefore it
would have been superfluous to desire that she should be good or
wise or prosperous. So वसिष्ठ says केवलं भूया (I only wish that
you may give birth to a hero) आशास्महे—for the आत्मनेपद, see
notes on प्रशासाहे above. वीर प्रसवः यस्याः भूया benedictive of
भू अनु स we are favoured or obliged The plural is
used because राम is a king Verse 10 लौकिकानां धावति for, the
speech of ordinary righteous men follows (is in keeping with)
the facts, but the facts follow (arrange or accommodate them
selves to) the words of the primeval sages. Here the words
लौकिकानां साधूनाम् are put in contrast with आद्यानामृषीणाम् The
word लौकिक is usually opposed to वैदिक Ordinary righteous
men have to ponder over what they have to say and after
settling what to express, they adjust their speech to what is to
be said, if they do not follow this procedure, their words would
be like the ravings of mad men and will not come to be true.
2

14 NOTES ON [ I. 10—
But whatever the primeval sages (who are the seers of Vedic
hymns) may say even by chance comes out to be true on ac-
count of the great store of their merit, they have not to adjust
their speech to the facts of the world. राम says —वसिष्ठ is one
of the primeval seers of Vedic hymns, when he pronounces a
benediction that सीता may give birth to a hero, his words are
sure to be fulfilled. Hence the verse लौकितानां &c. constitutes
the reason why राम says 'अनुगृहीता स्मः' The idea is similar to
the one in the शाकुन्तल IV 'भगवन् परवानयं, नाशीः' Compare
IV. 18 below. The निरुक्त says 'साक्षात्कृतधर्माण ऋषयो बभूवुः' वीर० com-
ments 'तपस्विनामुक्तिषु तपःप्रभावेणानुकूलमर्थमुत्पादयतीति भावः' R. com-
ments प्रसन्नानामृषीणां मुखाद्यदेव निःसरति तपःसिद्धिफलेन तदेव फलति न कदा-
चित्तदुक्तं निष्फलं भवतीति भावः' इदम्—this is in apposition with
the sentence यत्किञ्चित् वितथ्य. अरुन्धती was the wife of वसिष्ठ.
देवीभिः refers to the mothers of राम. यत्किञ्चित् whatever (it
may be). गर्भदोहदं longing of pregnancy. दोहद is said to be
neuter by अमर but other lexicographers say that it is mas-
culine also. 'अथ दोहदम् । इच्छा काङ्क्षा स्पृहेहा तृट्' इत्यमरः (on
which क्षीरस्वामी says 'अपमिच्छामानस्यापि विशेषतः गर्भिणीच्छायां
प्रयुज्यते') Both G and N seem to have read गर्भदोहदोदय
(appearance of the longings of pregnancy) which is not bad.
अस्याः —सीतायाः अनिभृत् without delay. संपादयितव्य —should be
fulfilled. किञ्चिते कथयति it (longing) will be fulfilled if she will
tell (what it is). राम intimates that सीता being shy does not
speak out what longings she has and means that if she expresses
them he would fulfil them at once. This reading is better than
the reading of K and Gh यदेषा कथयति, (whatever she says will
be done) as the former brings out prominently the shyness of
सीता. ननान्दुः पत्या by the husband of your sister-in-law (शान्ता).
The person referred to is ऋष्यशृङ्ग. देव्याः refers to सीता. The
genitive is used for the dative. कठोर गर्भासि you are not
brought (to the sacrificial session) because you are far advanced
in pregnancy. A woman should not set out on a journey
from the eighth month of pregnancy 'दानादि भ्रमणं चैव मासादष्टमात् स्त्री
न चादिशेत्' नतोऽसि रामभद्र —ऋष्यशृङ्ग being a great sage and the
husband of राम's elder sister addresses him so. त्वयि सन्नि-
has been left (there near you) for diverting you. तत् therefore.
पुत्रेण पूर्णं उत्सङ्गं (lap) यस्या. इति marks the end of the message
of ऋष्यशृङ्ग. भगवता दिशेोऽसि does not the revered वसिष्ठ send any
command to me ? The word आदिष्ट used by राम in contradistinc-

—I. 10 ] UTTARARAMACHARITA. 15
tion to the word सन्दिष्ट used by भगवान् above shows राम's
attitude of great modesty towards वसिष्ठ.
P 10 Verse 11 गमागमेन refers to the सङ्ग of
कश्यपः. निरुद्धा detained. त्वं बालः एवासि you are but a child.
नवं च राज्यम् ( power of ) governing the country is new to
you. भूयः स्याः be devoted to keeping the subjects contented.
Construe तस्माद् यत् (स्यात्) यत् ( यशः ) त ( सुश्लाघं स्पृह्यं ) परमं
धनम् or तस्माद् यत् यशः (भवतु) (तत्) त परमं धनम्. From that
( i e by keeping the subjects contented ) glory would arise,
which is your highest wealth. G. seems to have read सत्त्वाय
for तस्माद्यश The construction then is यत् (यस्मात् ) तत् सत्त्वाय
यश परमं धनम्—since to you glory is wealth higher ( more prized )
than even your own life. This is not a bad reading but the
construction becomes rather involved. Compare about यशः ‘अपि
स्वदेहात्किमुतेन्द्रियार्थाद्यशोधनानां हि यशो गरीयः’ रघु. 14. 35. Note verse
41 below. यथा वहति Just as the revered वसिष्ठ ( son of मित्र
and वरुण) commands. Rama means that what वसिष्ठ says is quite
right and will be followed by him. मैत्रावरुणी —मित्रावरुणयोः अपत्यं पुमान्
इति मैत्रावरुणिः. When names of deities form a द्वन्द्व compound the
ending अ of the first member is lengthened according to the
सूत्र ‘देवताद्वन्द्वे च’ पा० 6. 3. 26. (मित्रश्च वरुणश्च मित्रावरुणौ) For a brief
allusion to the story of वसिष्ठ's birth from मित्र and वरुण, see
रामायण उत्तरकाण्ड सर्ग 57 'तद्धि तेजस्तु मित्रस्य उर्वश्यां पूर्वमाहितम् । वसिष्ठस्य
नमकुम्भे ततोऽग्रे यत्र वारुणम् ॥ कस्यचित्त्वथ कालस्य मित्रावरुणयोस्ततः । वसिष्ठस्त-
जमा पुत्रो यज्ञे इक्ष्वाकुदैवतम् ॥’ 6-7. Verse 12 सौख्यं worldly happi-
ness. जानकीमपि—These words are a presentiment of the future
abandonment of सीता by राम. On the propriety of the word
जानकीमपि, वीर० remarks ‘सौगान्धिलतुष्ट्या जानकीभिक्षुस्तिक्षोभाराधनायेषया
मङ्गविषमतमत्वानुरोधोऽप्यतिशितर इति सूचयति.’ मुञ्चत qualifies मे. व्यथा
pain, anguish. This verse forms the key to the real nature of
राम. It is not to be supposed that राम was hunting for popular
applause. His readiness to abandon all that is dear to the
human heart was not born of a craving for cheap popularity,
but was the outcome of his high ideal of a king's duty viz
that a king should not wish to be exempt from the national rules
of morality and conduct which he would compel his subjects to
abide by. अतः पुत्र Hence is it that my lord is the support (or
the best ) of the family of the Raghus. This sentence shows
that सीता fully appreciated राम's ideals and was not behind him
in nobility. She does not betray resentment at the thought of

10 NOTES ON [ I. 12-
her abandonment by राम for pleasing the people, on the con-
trary she highly commends him for the sentiment विश्राम्यताम्
(Pass imperative of the causal of शम् with वि) give him rest or
refreshments The entrance of लक्ष्मण is intimated to the audi-
ence by
name o
deeds
P 11 जानामि नोद्देजयितुम् you know how to amuse the queen
(सीता) who is all at ease दुर्मनायमाना pr part of दुर्मनायते which
is a denominative verb from दुर्मनस् according to the Sūtra 'कर्त्तुः
क्यङ् सलोपश्च' पा० 3 1 11 (दुर्मना इव आचरति दुर्मनायते) सीता was
all at ease on account of जनक's departure तत् यावत् how far
does it reach? राम asks —Up to what point does the painting
depict my career? यावद् governs the accusative यावद् शुद्धि (it
goes) as far as the purification of her ladyship in fire For
this ordeal see p 9 above शान्तं पापम् lit let evil be averted,
here, hush, do not utter this evil talk about सीता' ससान्त्ववचनम्-
with words that will mollify (सीता) Verse 13 उत्पत्ति नान्तरे
of what use are other purifying things to her who is pure by
birth? अन्यत् पावनं पावनान्तरम् सीता by being born of the earth
was already pure, what further purity can fire impart to her?
तीर्थो इत holy water and fire do not deserve to be purified by
anything else Just as तीर्थोदक and वह्नि do not require anything
else to purify them, so सीता who was pure by birth really stood
in no need of purification by fire That she was made to
undergo the ordeal of fire was solely for the purpose of falling
in with the popular demands Compare महावीरचरित IV 27
where दशरथ says to परशुराम 'निसर्गतः पवित्रस्य किमस्त्यामन तव । तीर्थोदकं
च वह्निश्च नान्यतः शुद्धिमर्हतः ॥' देवयजनसम्भवे (adjective of देवि) sprung
from the sacrificial ground देवा इज्यन्ते अत्र इति देवयजनं यज्ञभूमिः
देवयजनात् सम्भवः यस्या सा देवयजनसम्भवा See above p 10 for the
reference to सीता's birth from यज्ञभूमि and compare महावीरचरित I
20 'लाङ्गलाग्रविदारितायाः यज्ञभूमेः समुद्गता । सीतेत्यमूर्त्तिमा नेव द्वितीया जनका-
त्मजा ॥' प्रसीद be pleased, pardon me एष प्रवादः this talk (scandal)
about you will last as long as you live जीवित अवधि (अन्त०) यस्य
Verse 14 कष्टो रञ्नीय the harsh world must be pleased by men
whose wealth lies in the reputation of their family यशः धनं येषां
ते On कष्ट R explains 'खलवृत्तितया कष्टहेतुः जनः' राम means that
those who care for the good name of their family have to
humour the people even though the latter are hard to please

[-I. 14] UTTARARĀMACHARITA 17

and very much prone to spread scandals. The reading of E.
कष्टं जनः is better. It means 'alas! people are to be humoured &c.
राम pities the lot of those who like himself have to humour the
people and have to do things which their heart disapproves of.
N reads 'दुष्टं जनः' which does not yield a happy sense. तन्मो चै
therefore the abusive talk that was spoken by us (me) was not
such as you did deserve. राम means—he treated सीता coldly
and repudiated her because he had to look to what the people
would say. His conscience told him otherwise. But he admits
here that he knew all along that she did not deserve the treat-
ment that he had to mete out to her. For the words of राम see
रामायण quoted above on p. 9. तत् तस्मात् यद् न (अस्माक) अशिवमुक्तं तद् हि
वै तव (सीतायाः) न युक्तम्. V. and Gh. read तन्मे for तन्मो, which means
the same thing. नैसर्गिकी पाडनाने Being placed on the head is
settled to be the natural condition of a fragrant flower and not
trampling under foot. राम means that the treatment of सीता
was as unnatural and harsh as the trampling down of a sweet
flower would be. The last two lines occur in मालतीमाधव 9 15,
where we read मुर्मत्नैव दुष्टनाम्ने आलेपनम् painting, picture. के
पुमन् who are these that stand above very close (to each other)
and seem to praise my lord? निरन्तर close, thick. सरहस्यानि to-
gether with the charms (the mantras appropriate for discharg-
ing the missiles or withdrawing them etc.) जृम्भकास्त्राणि—lit.
yawning missiles—weapons possessed of miraculous powers.
शैषिक-विश्वामित्र उपसङ्क्रान्तानि were transferred or handed over.
प्रसादीकृतानि were bestowed as a favour. आर्यपुत्र refers to राम ताटका
was the daughter of a यक्ष called सुकेतु who got her from ब्रह्मा as
a reward for his austerities. She was married to सुन्द. Her son
was मारीच. When सुन्द was killed, she with her son मारीच tried
to disturb अगस्त्य who cursed मारीच to be a राक्षस and changed
ताटका into a man-eating fiend. She, though a woman, was kill-
ed by राम at the bidding of विश्वामित्र. For the story of ताटका see
रामायण बालकाण्ड सर्गः 25-26. विश्वामित्र, being pleased with राम for
destroying the horrible ताटका, gave him various missiles, for
which see बालकाण्ड सर्गः 27-28. The gods say to विश्वामित्र 'प्रजापतेः
कृशाश्वस्य सुतान् सत्यपराक्रमान् । तपोबलभृतो ब्रह्मन् राघवाय निवेदय ॥' सर्ग 26
29-30, 'परितुष्टोऽस्मि भद्रं ते राजपुत्र महायशः । प्रीत्या परम्बा युक्तो ददाम्यस्त्राणि
सर्वशः ॥' सर्ग 27 2, 'जृम्भकं सर्वनाथं च पञ्चाननमथो तथा ॥ दूराच्चधैव्यमन्त्रान्
मास्तराम्कामसूरिः । प्रतीच्छ मम भद्रं ते पात्रभूतोऽसि राघव ॥' बालकाण्ड सर्ग 28
9-10 The अस्त्रs says to राम 'राम प्राञ्जलो भूत्वाऽभ्यन्तरपुरमाविश । इमे

18 NOTES ON [ I. 14—
स नरशार्दूल शाधि किं करवाम ते ॥ गम्यतामिति तानाह यथेष्टं रघुनन्दन ॥ मानसा
वार्धकालेषु साहाय्यं मे करिष्यथ ॥’ सर्ग 28 13-14 It will thus be seen
that जृम्भक was only one among the numerous अस्त्रs bestowed by
विश्वामित्र Compare महावीरचरित I ‘यानि हि भगवतः कृशाश्वादुरुपचार्योऽन्ते
र्वासितस्य सरहस्यजृम्भकप्रयोगसंहारस दिव्यास्त्रमन्त्रपारायणस्य विद्यातत्त्वबीजानि, तानि
मत्प्रसादादयं त शश्वदात्मना च रामभद्रस्य संप्रति प्रकाशन्ताम् ।’
P 12 Verse 15 ब्रह्मोदय is the subject of अपश्यन् गुरव
पुराणा is in apposition with ब्रह्मोदय एतानि is the object of
अपश्यन् तेजांसि is in apposition with एतानि Translate--the old
and venerable ब्रह्मा and others, having practised religious aust-
erities for the benefit of religious truth ( Veda ) for more than
a thousand years, saw these ( अस्त्रs ) which were the splendours
of their own austerities ब्रह्माण वेदस्य हिताय ‘वेदस्तत्त्वं तपो ब्रह्म ब्रह्मा
विप्र प्रजापति’ इत्यमर परः सहस्रा —सहस्रात् परा —is an irregular
compound and qualifies शरद It is formed according to the
सूत्र ‘सुपा’ पा 2 1 4 The स् after पर is put in on the analogy of
words like पारस्कर (पा० VI 1 157) and पर is placed first in
accordance with the सूत्र ‘राजदन्तादिषु परम्’ पा० 2 2 31 शरद is
acc plural ( accusative of time ) शरद् f autumn, year
अपश्यन्—is used in a technical sense The ऋषिस are not re
garded by Indian writers as creating the Vedic hymns, they
are supposed to have only seen by intuition the eternally
existing Veda ऋषय are said to be मन्त्रदृष्टार and not मन्त्रकर्त्तार .
The अस्त्रs were nothing but the तेजस् manifested from their
own severe austerities तपोमयानि—तपस आगतानि कार्यकारणभावात्तप
न्नामशान्ता तानिदर्शनम् The verse occurs in महावीर० I. 42, where
we read परः सदस and एतान्यदर्शन् सर्वथे स्वासन्ति they ( the अस्त्रs )
will now by all means wait upon your offspring See VII
9 10 below मिथिलावृत्तान्त The occurrences at Mithila (with
reference to राम) मिथिला was the capital of the country of
विदेह The reference is to राम’s arrival in मिथिला with विश्वामित्र
Supply वपुष्मद्भिः after सौभाग्येन दलद् विकसद् नव नीलोत्पल तद्वद्
श्यामलं स्निग्ध etc —(endowed) with grace of form that is musc
ular, shining, smooth, unctuous ( स्निग्ध ), and dark like a
fresh expanding blue lotus G reads दलित (expanded). विस
येन स्तिमित तात (जनक) तेन दृश्यमाना सौम्या सुन्दरा च श्री यस्य—
whose agreeable and charming beauty is being seen by my father
who was dull with wonder The wonder was due to the fine
form of राम and to his great prowess in breaking into two the
bow of शिव G reads ० शाननगरनन्दयमानसोमसुन्दर श्री —whose love-

-I 15 ] UTTARARÂMACHARITA. 19

liness as charming as that of the moon was being seen by the
citizens and by my father &c. तातेन नगरजनेन च दृश्यमाना सोमवत्
(चन्द्रवत्) सुन्दरा श्री यस्य. अनादरेण (लीलया) खण्डितं शङ्करस्य शरासनं धनुः
येन—who easily broke the bow of शिव. As to this see रामायण
बालकाण्ड सर्गः 66-67. After the destruction of दक्ष's sacrifice, शिव
deposited his bow with देवरात, an ancestor of जनक. जनक
worshipped it and when सीता's hand was sought by numerous
kings, he said that he would give his daughter to him who
would be able to wield that bow of शिव. No king could do it.
राम wielded the bow and broke it while making it strung.
'लीलया स धनुर्मध्ये जग्राह वचनान्मुनेः ॥ आरोपयत् स धर्मात्मा सलीलमित्र तद्धनुः ॥
15 आरोपयित्वा मौर्वी च पूरयामास तद्धनुः ॥ तद्बभञ्ज धनुर्मध्ये नरश्रेष्ठो
महायशाः॥' बालकाण्ड 67 16-17 शिखण्डेन मुख्यं मुखमङ्गलं यस्य whose
face was charming on account of the lock of hair शिखण्डः a
lock of hair left on the crown or sides of the head at tonsure
शिखाभिरित्यते इति शिखण्डः. काकपक्ष means the same thing as शिखण्ड
Verse 16 On सम्बन्धि R. says 'सन्निहितेन वैवाहिकेने सम्बन्धेनेति शेषः'
शतानन्द was the son of the sage गौतम and अहल्या. जनक was the
name of the family. The name of सीता's father was सीरध्वज The
latter half occurs in महावीर० I 19
P. 13 सुश्लिष्टम्—quite proper Some editions read इष्टमेतत्
which does not convey anything striking. Verse 17. कस्य न
प्रियः to whom is it not dear (i. e. it is liked by everybody) ?
दत्र—यस्मिन्सम्बन्धे दाता who gives away (सीता in marriage) ग्रहीता
who accepts (सीता as a daughter in law on behalf of दशरथ from
जनक) कुशिकनन्दन—विश्वामित्रः. R. remarks 'तयोभयोरेव कुल्योः
पूज्यत्वात्प्रशस्तेव कन्यादानमहादो समुन्नताश्च तस्मिन्दातृग्रहीतृत्वोपचारः न पुनर्व-
सुतम एव दातृग्रहीता च.' In महावीर० I. 57 कुशध्वज repeats this verse
to विश्वामित्र with the variation 'बन्ध्याप्रतिभूर्भवान्' for अय &c. See
वीर० for the suggestion contained in the words जनकानां &c. दृष्टा^
इव गोदान मङ्गल येषाम् whose auspicious गोदान ceremony had been
performed just at that time गोदानमङ्गल the ceremony of cutting
the hair, which was performed upon a man just before marriage.
It was also called केशान्त. याज्ञवल्क्य says 'केशान्तश्चैव षोडशे' I. 36,
on which the मिताक्षरा says 'केशान्तः पुनः गोदानाख्यं कर्म यन्गोदानस्य
षोडशे वर्षे ब्राह्मणस्य कार्यम्.' मल्लिनाथ commenting upon रघु० 3 33
'अथास्य गोदानविधेरनन्तरं विवाहदीक्षा निरवर्तयद्गुरुः' says 'गावो रोमाणि केशा
दीयन्ते खण्ड्यन्तेऽस्मिन्निति व्युत्पत्या गोदान नाम ब्राह्मणादीनां षोडशादिषु वर्षेषु
कर्त्तव्यं केशान्ताप्यं कर्मोच्यते' and then quotes मनुस्मृति II. 65 'केशान्तः
षोडशे वर्षे ब्राह्मणस्य विधीयते । राजन्यबन्धोर्द्वाविंशे वैश्यस्य द्वयधिके शततः॥' R.

20 NOTES ON [I 17—
explains गोदान differently 'विवाहश्राद्धं गोशिरोरूपो मङ्गलहेतु क्षत्रियाणा
माचारविशेषः' According to this गोदानमङ्गल was an auspicious rite
performed in the case of क्षत्रियस before their marriage consisting
in the gift of cows. From the रामायण it seems that the latter is
the more appropriate meaning 'स गत्वा निलयं राजा श्राद्धं कृत्वा विधानतः ।
प्रभाते कल्पमुत्थाय चक्रे गोदानमुत्तमम् ॥ गवां शतसहस्रं च ब्राह्मणेभ्यो नराधिपः ।
एकैकशो ददौ राजा पुत्त्रानुद्दिश्य धर्मतः ॥ सुवर्णशृङ्गयः सम्पन्नाः सवत्साः कांस्यदोहनाः ।
गवां शतसहस्राणि चत्वारि पुरुषर्षभ ॥ पितॄन्मनुष्य सुबहु द्विजेभ्यो रघुनन्दन । ददौ
गोदानमुद्दिश्य पुत्राणां पुत्रवत्सलः ॥' बालकाण्ड 72 21 *4 विवाहादीक्षिता that
had undergone the ceremony initiatory to marriage. एवम् just
so; i. e. I also feel the same as you. Verse 18. समय इवैष this
is as it were the same time. समनन्दयत्—The subject is करः सुमुखि
is addressed to सीता. गौतमेन (शतानन्देन) (मम हस्ते) अर्पितः—placed
by गौतम (in my hand). आ कङ्कण round which was the grace-
ful marriage bracelet. आगृहीतं कमनीयं कङ्कणं येन or यस्मिन्. G. ex-
plains differently that was held respectfully by me and that
had a charming bracelet on. V. and Gh. read उद्गृहीत०, which
comes to the same thing. The metre of this verse is मञ्जुभा-
षिणी. इयमार्या—this refers to सीता. माण्डवी was the wife of
भरत, श्रुतकीर्त्ति of शत्रुघ्न. As सीता and माण्डवी were the wives of
लक्ष्मण's elder brothers राम and भरत, he speaks of them res-
pectfully as भार्या. As शत्रुघ्न was the younger brother of लक्ष्मण,
श्रुतकीर्त्ति is spoken of as वधू (daughter in law). 'वधूभ्रांतृजा स्नुषा
स्त्री च' इत्यमरः. 'पिता हि भवति ज्येष्ठो धर्ममार्गस्य जानतः ।' अयोध्याकाण्ड,
72 33, see मनुशासनपर्व 105 ९० as to the respect paid to the wife
of the eldest brother. सीता and ऊर्मिला were the daughters of
जनकसीरध्वज and माण्डवी and श्रुतकीर्ति of कुशध्वज, younger brother of
सीरध्वज. 'भरतो नाम कैकेय्या जज्ञे सत्यपराक्रमः । 13 अथ लक्ष्मणशत्रुघ्नौ
सुमित्राऽजनयत्सुतौ । 14 बालकाण्ड सर्ग 18. वत्स कः। Dear one! who is
this other? सीता referred to ऊर्मिला, wife of लक्ष्मण and jestingly
asked लक्ष्मण about her. सच्छलस्मितम्—'सखीविषयप्रश्नाल्लज्जा स्मिते च' Gb.
अन्यतः संचारयामि I shall divert her (mind) to something else (i. e.
I shall direct her eye on some other incident in the painting.)
The commentator says that the stage—direction अपवार्य्य in the
text is wrong, it should be स्वगतम्. अपवार्य 'aside apart to
another', speaking in such a way that no other character on
the stage except the one addressed may hear it. Here लक्ष्मण
speaks to himself and addresses no one else. प्रकाशम्—openly.
'सर्वश्राव्यं प्रकाशं स्यात् ' भार्गव descendant of भृगु, here परशुराम.

P 14 संभ्रमेण with agitation. संभ्रमेण सह यथा स्यात् (अव्ययी-
भाव ) परशुराम on hearing that राम had broken asunder the
bow of शिव was extremely enraged as he was a pupil of शिव
He challenged राम to string another bow which परशुराम had
and which was वैष्णवधनु He further said that if राम could
make the वैष्णवधनु strung he would fight with him As परशुराम
had destroyed the क्षत्रियs twenty-one times दशरथ and the
ladies of राम's family were extremely afraid as to the
result of the meeting Then Rama made the bow strung
and fixing an arrow upon it asked परशुराम what he (राम)
should shoot at whether परशुराम's गति or the लोकs that he had
secured by तपस् परशुराम asked him to shoot at the latter See
बालकाण्ड सर्ग 75-6 for this episode सीता, on seeing भार्गव's
picture felt as if she was in the presence of भार्गव in flesh and
blood and therefore says कम्पितास्मि अयमत्रापार्येण—लक्ष्मण wanted
to say that राम deprived परशुराम of his लोकs, whereupon the
latter became जड and void of all glory As the रामायण says
'जडीकृते तदालोके रामे वरधनुर्धरे । निर्वीर्यो वीर्यसम्पन्नो रामो दाशरथिंनृपम् ॥ तेजो-
भिर्हतवीर्यत्वाज्जामदग्न्यो जगाम ह।' बालकाण्ड सर्ग 76 11-1° साक्षेपम्—
with the object of finding fault (with लक्ष्मण). राम did not like
that he should be praised and that the defeat of a great
personage like परशुराम should be dwelt upon So he shows by
his tone in saying 'अयि वत्स' &c that he is displeased. The
reading पाथेयम् is better It means in order to throw off
(divert) the attention to something else विनोदनहास्येन विनया-
तिशयेन एते प्राप्ता Here are we come back to अयोध्या (from
मिथिला after the marriage of राम and others) सास्रम् अस्रै सह यथा
स्यात् तथा—with tears. Verse 19 जीवत्सु ताते when our revered
father was living and we were but just married तच्छपादेषु—The
plural of पाद is affixed to show great respect or veneration
दारान् परिग्रह lit accepting of wife. मातृभि गता gone are those
days of ours when we were anxiously looked after by our
mothers Verse 20 जानकी is the subject of अश्रून् in the third line
The principal sentence is दशनमुकुले दुग्धालोक स्मित दधती जानकी अङ्गै
मे अत्यन्त कुतूहल वहत The first line qualifies समुदुरै पदन लोलन्
(having a face) lovely in consequence of her bud like teeth that
were wide apart because of the falling (of some of them) and that
had on the sides (of the face) her beautiful locks waving about
मन्द उन्मन्त मनोहरा कुन्तला (केशाः) येषाम् बधाना (रन्धाः) मुकुला इव
मुग्ध सुन्दर मनोज्ञ दर्शन यत् 'आलोके दर्शनेक्षोद्यौ' इत्यमर शिशु

22 NOTES ON [ I _
a child, this goes with जानकी दधती f. nom. sing. of दधत् । २ ।
था It seems from the रामायण that सीता was only six years old
when she was married see अरण्यकाण्ड 47 'उषित्वा द्वादश समा
इक्ष्वाकूणां निवेशने । 4 मम भर्ता महातेजा वयसा पञ्चविंशकः ॥ 10 अष्टादश
हि वर्षाणि मम जन्मनि गण्यते ।' 11 Hence the words शिशु and पतन-
विरलै are very appropriate. When children are about six years
old some of their teeth fall. The teeth of a child being small
and tapering may be well compared to buds (मुकुल) ललित-
नितं extremely lovely. Where intensity is to be expressed an
adjective of quality is repeated 'प्रकारे गुणवचनस्य' पा 8. 1. 12.
ललित अङ्गकै She caused delight to my mothers by her sweet
limbs that were extremely lovely, made as if from moonlight
(i. e. so cooling and delightful) and the gestures of which were
natural (not artificial). अकृत्रिमा विभ्रमा येषाम्. अकृत—Aorist of
कृ अङ्गकै —क is added to express the sense of अल्प. Some editions
read प्रतनुविरलैः, which means small and not dense. This is not
bad. We may also look upon तनुन्दलैः as standing by itself and
not as an adjective of मुकुलैः. In that case the reading प्रतनु
विरलै alone would he appropriate and not पतन०. (मुखस्य) प्रान्तयोः
कपोलयोः उन्मीलन्तः मनोहराः कुन्तलाः तैः दशनमुकुलैः (च) सुभालोकं मुखम्
face that was lovely on account of the fine hair waving over the
cheeks and on account of the bud-like teeth. N reads प्रान्तोत् कुन्तलैः
दशनकुसुमैः, which is a good reading. The teeth that were left
are compared to कुसुमस. Those that were just making their ap-
pearance in place of those that had fallen are compared to
buds. G seems to read मन्दारोचम् of dull aspect or with a dull
light. This is a bad reading. अकृत्रिमविभ्रमे—सीता being a child
at the time had not learnt the coquetries of youth. N reads
अज्ञानां मे, which is not so good as अम्बानां मे. राम remembers the
old days with regret and refers to his parents in the preceding
verse. It would be more in keeping with those memories of the
past that he should refer rather to the delight of his mother
than to his own. The metre of the verse (हरिणी) is very appro-
priate to the sentiments expressed. एषा मन्थरा—मन्थरा was the
hump-backed nurse or servant of कैकेयी, who instigated her
mistress on the eve of राम's installation as युवराज, to beg of
दशरथ by the two boons formerly promised by him the banish-
ment of राम for fourteen years and the installation of भरत as
युवराज. See अयोध्याकाण्ड 7-11. सत्वरं दर्शयन्—Rama quickly
pointed out to another incident as he did not want to say a
word in disparagement of his step-mother कैकेयी.

1 P. 15. Verse 21. शृङ्गवेरपुरे—Some editions read शृङ्गवेरे,
which is supported by the Bombay edition of the रामायण•
'समुद्रमहिषीं गङ्गामारराधोदकान्विताम् । जाह्नवीं सह भ्रातृभ्यां शृङ्गवेरपुरं प्रति ॥
२७ सुमन्त्रमब्रवीद्रामस्तैहिरात्रं वने वसामहे ॥ २८ अविदूरादयं नया बह्वपुष्पफलोदवान् ।
उमहानिङ्गुदीवृक्षो वसामोऽत्रेति सत्वरे ॥' '१ तत्र राजा गुहो नाम रामस्यात्मसमः
सखा । निषादजात्यो बलवान्स्थपतिश्चेति विश्रुतः ॥ ३५' अयोध्याकाण्ड सर्ग 50.
निषाद—name of one of the wild aboriginal tribes of India.
The instru. sing. of पति is पत्या but when compounded पति is
declined like the word हरि 'पतिः समास एव' पा० १ ४ ८ (पतिशब्दः
समासे नह घिसंज्ञः स्यात् । पत्या पत्ये पत्युः पत्यौ । समासे तु भूपतिना । क्षि-
त्त्या ) स्निग्ध affectionate. मध्यमा नैव His honour (राम) has
passed over the account of our second mother कौशल्या was the
eldest of the three queens and कैकेयी was next to her. There
is a suggestion also that she was only मध्यमान्बा and not उत्तमान्बा
(an excellent mother). The reading अन्वर्तिष्ट of G means the
same thing. It is the p. p. p. of वृत् with अन्व्. जटा वृत्तान्त
the incident of tying up the hair The reference is to the fol-
lowing passage from the रामायण अयोध्याकाण्ड सर्ग ५२ 'नैशानीं गृह
क्षीरोदेन बाणो मे सत्वरे वने । अयमद्याश्रमे वासः कर्तव्यश्चाद्यमे विधिः ॥ सोह
गृहीत्वा क्षीरं न्यग्रोधशिखरन्यग्रोधम् । दिनकामः पितृर्भूयः सीतायाश्चैव लक्ष्मणः च ॥
जटाः कृत्वा गमिष्यामि न्यग्रोधक्षीरमानय । तच्छीरं राजपुत्राय गुहः क्षिप्रमु-
पाहरत् ॥ लक्ष्मणेनात्मनैवैन रामश्चजटाकरोत् । ततो वैखानसं मार्गमाश्रित
महदात्मना । सब्रह्मचारिणस्तस्य सखायं गुहमब्रवीत् ॥' 66, 69, and 71.
Verse 22. पुत्रसंक्रान्त लक्ष्म तैः who have transferred kingly
dignity to their son. For the affix क, see notes above p 6.
इक्ष्वाकु तैः इक्ष्वाकुवंशजैः scions of the इक्ष्वाकु race, when old. यद् (व्रतम्)
पुत्रः लक्ष्मके गृहीतराज्याभिः पुरस्कृत्य तद्पुण्यम् आरण्यकव्रतमभूद् अर्वाचीन (रामा) वान्धे
धूतम् आरण्यकानां व्रतम् the vow or course of conduct of foresters
(i. e. who are in the वानप्रस्थाश्रम). आरण्यक—'अरण्यान्मनुष्ये' पा०
४ २ १२० (इति वुञ्). लघुव्यासस्मृति says about वानप्रस्थाश्रम 'सुतविन्दौ
स्तनोर्विपक्षां वधूंश्चैवोद् वनेत् । वानप्रस्थो ब्रह्मचारी साग्निः शोताशनो भवेत्' ॥
III 45 compare रघु० III 70 'अय स विषयव्यावृत्तात्मा यथाविधि सूनवे
नृपतिककुदं दत्त्वा यूने सितातपत्रमरौत् । मुनिवनचरुच्छाया देव्या तया सह शिश्रिये
गलितवयसामिक्ष्वाकूणामिदं हि कुलव्रतम् ॥' Mark the contrast be-
tween the old kings who had sons and had enjoyed the pleas-
ures of sovereignty and the young राम who had no son and who
had scarcely tasted pleasures. This verse occurs in the महावीर०
IV 51, where we read 'त्वया वशीकृत्येन प्राप्तमारण्यकव्रतम्' प्रसन्न
(clear, transparent) दुग्ध सरित् (कफ) दुग्धा. रघु देवते the tutel-
ary deity of the रघु family. Verse 23. व्यथमान्, कमिद् and

24 NOTES ON [ I 23—
•नुशान् qualify पितामहान् भगीरथ is the subject of उदतीतरत्. तुरंग
पितामहान् (saved) the grand fathers of his father, that, in the
sacrifice of सगर, were anxiously engaged in finding out the
(sacrificial) horse and that dug the earth (for that purpose)
and that were burnt through wrath by the effulgence of कपिल.
तुरंगस्य विचये (अन्वेषणे) व्यग्रान् व्यावृतान् उर्वी (महीं) भिन्दन्ति इति उर्वी
भिद् तान्. सगरस्य अध्वरे यज्ञ (अश्वमेधे) Separate ॰महसा अमर्षान्
महसा is the instru. of महस् ॥ अगणित तापद् (अगणित तन्वा ताप यथा
स्यात्तथा, अव्ययीभाव)—(an adverb of दधत्) without minding or
caring for his bodily suffering भगवति—is addressed to the
Ganges तव अद्भि (जलै) स्पृष्टान् चिरात् उदतीतरत् (उत्तारयामास) he
saved (restored to heaven) after a long time, when (they were)
touched by your waters उदतीतरत् Aorist of the casual of तॄ with
उद् सगर was king of अयोध्या and ancestor of राम He had two
wives केशिनी and सुमति He practised penance in the Himâ-
layas The sage भृगु gave him two boons that one of his wives
would give birth to a son who would propagate the line and the
other would give birth to 60 000 sons केशिनी chose the former
and सुमती the latter The son of केशिनी was called असमञ्ज and
सुमति had 60,000 sons As असमञ्ज indulged in diverting
himself by throwing the children of the citizens in the
waters of the Sarayû, he was banished from the kingdom by
सगर असमञ्ज's son was अंशुमान् सगर began to perform an अश्वमेध
sacrifice इन्द्र stole the horse As the sacrifice could not pro-
ceed, सगर asked his 60 000 sons to search for the horse on the
earth and to dig it if necessary They could not find it and
returned to सगर, who dismissed them angrily, asking them
not to come back without the horse The 60,000 sons dug the
earth through and went to पाताल They saw the horse grazing
near the sage वासुदेव कपिल, whom they took to be the thief
They ran towards him in rage, when the sage, being enraged
by their impertinence, burnt them to ashes When his sons did
not return for a long time सगर sent his grand son अंशुमान् in
search of them He saw his uncles reduced to ashes and the
horse near them He wanted to offer water to his deceased
uncles, but could not find it. Thereupon he was told by वैनतेय,
the maternal uncle of his uncles, that, as they had met their
death in the fire of कपिल's anger, ordinary water would not do,
but that the ashes must be washed in the holy waters of the
Ganges in order that the sons of सगर may go to heaven.

—I. 23] UTTARARÂMACHARITA. 25
अंशुमान् returned with the horse and the sacrifice of सगर was
finished. Neither सगर, nor अंशुमान्, nor दिलीप, the son of
अंशुमान्, was able to bring down the Ganges from heaven. भगीरथ
was दिलीप's son भगीरथ was determined upon delivering his
ancestors and practised severe austerities at गोकर्ण. He induced
the Ganges to come down (which fell on the head of Siva)
and after various adventures (in which भगीरथ's patience and
perseverance were tried to the utmost) सगर succeeded in wash-
ing the ashes in the holy waters of the Ganges. For the story
of सगर, his 60,000 sons, भगीरथ and the descent of the Ganges,
see रामायण बालकाण्ड सर्ग 38-41 सगर said to his sons 'यावत्तुरगसं-
दर्शनात्खनत मेदिनीम्' सर्ग 39 श्लो 5, 'शुश्रावावचनं तेषां कपिलो रघुनन्दन ।
रोषेण महताविष्टो हुंकारमकरोत्सदा । ससत्तेनाप्रमेयेन कपिलेन महात्मना । भस्म-
राशीकृताः सर्वे काकुत्स्थ सागरात्मजाः ॥' सर्ग 40 29-30 The reading
०सहसा रोषात् of N and G is in one way preferable, as it is in
accordance with the above extract from the रामायण. अमर्षात् and
रोषात् of course mean the same thing पितुश्च पितामहान्—भगीरथ's
father was दिलीप and the 60,000 sons of सगर were the brothers
of दिलीप's grand father असमञ्ज and hence are themselves called
पितामहाः दिलीपस्य. The reading पितुश्च पितामहान् is therefore in
accordance with the story in the रामायण. The reading सुतां
प्रपितामहान् also is acceptable The reading पितुः प्रपितामहान् can-
not be accepted, as the sons of सगर were not the प्रपितामहाः but
were only पितामहाः of the father of भगीरथ. The reading ०तापः
of N is not bad, it will have to be construed with भगीरथः
The reading ०पाते would mean 'without minding the fall (i. e.
reduction) of his body' (on account of severe austerities)
The reading उदतीरयत् is preferable to उदतोरयत् as it is in accord-
ance with the रामायण. 'भगीरथोऽपि राजर्षिर्गङ्गामादाय यत्नतः ॥ पितामहा-
न्भस्मकृतानप्लावयदमंगलान् । अथ तद्भस्मना राशिं गङ्गासलिलमुत्तमम् । प्लावयत्पूता-
त्मानः सर्वे प्राप्ता रघूत्तम ॥' बालकाण्ड सर्ग 43. 41, तारिता भस्मीभूता दिवं
गताश्च देववत् । षष्टिः पुत्रसहस्राणि सगरस्य महात्मनः ॥' सर्ग 44 3. उदतीरयत्
is the aorist of the causal of तॄ with उद्. अम्ब (voc. sing. of
अम्बा) O mother. 'अम्बाथनद्योर्ह्रस्वः' पा० 7 3. 107 स्नुषाया...मय may
you cherish kind thoughts about सीता your daughter in law
as अरुन्धति does. See in the 7th Act the words 'भगवतो रामचन्द्र
सर्वथानान्तेय्यदर्शने &c.' (after verse 18). शिवं अनुध्यानं यस्याः. What
regard अरुन्धती had for सीता we shall learn in the 4th Act
(verse 11).
8

26 NOTES ON [ I. 23—
P 16 भरद्वाजेन (तन्नामकऋषिणा) आवेदित pointed out by
the sage भरद्वाज चित्र वर्त्मनि on the road leading to चित्रकूट
चित्रकूटं याति इति ०यायिन् कालिन्दी- 'कालिन्दी सूर्यतनया यमुना
शमनस्वसा' इत्यमर In अयोध्याकाण्ड सर्ग 54, we see that राम met
भरद्वाज near the confluence of the Ganges and the Jumna.
'दश क्रोशा इतस्तात गिरैर्यस्त्विनिवत्स्यति । 28 चित्रकूट इति ख्यातो गन्धमा
दनप्रतिम ॥' 29 In सर्ग 55 we read 'तत प्रचक्रमे वक्तु वचन
स महामुनि । भरद्वाजो महातेजा राम सत्यपराक्रमम् ॥ 3 गङ्गायमुनयो
सन्धिमादाय मनुसंर्पभ । कालिन्दीमनुगच्छता नदी पश्चान्मुखाश्रितान् ॥ 4
समासाद्य तु कालिन्दीं प्रतिस्रोत समागताम् । तत्र यूथ प्लव कृत्वा तरतांशुभामी
नदीम् ॥ 5 ततो न्यग्रोधमासाद्य महान्त हरितच्छदम् । 6 समासाद्य च त श्या
बसेदातिक्रमेत वा । क्रोशमात्र ततो गत्वा नीलं प्रेक्ष्य च काननम् । स पथाश्चित्र
कूटस्य गतस्य बहुशो मया ॥' 9 Thus we see that चित्रकूट was a hill
about 10 क्रोशs from the confluence of the Ganges and the Jumna
to the west सस्पृहम् (स्पृहया सह यथा स्यात् तथा ) with longing
कथ विसर्व्यते how can (this place) be forgotten ? Verse 24
The principal sentence is यत्र (प्रदेशे) त्व अङ्गानि मम उरसि कृत्वा निद्रा-
मवाप्ता—where you went to sleep resting your limbs on my bo
som अध्व खेदाद् ०मुग्धानि that, on account of the fatigue due
to the tramp on the road, were tired, yet charming from
their playful movements अलसानि च तानि ललिते मुग्धानि च सीता
had to walk on foot with राम and was therefore tired For
ललित, note अमरसिंह 'स्त्रीणा विलासविब्बोकविभ्रमा ललित तथा । हेला लीले
त्यमी हावा क्रिया शृङ्गारभावजा ॥' क्षीरस्वामी quotes from भरत 'अना
चार्कापदिष्ट स्वाङ्गस्मित रतिचेष्टितम्' अध्वनि मार्गे अभ्भ्रान्त गमन तेन सुद
तस्माद् The reading अध्वसञ्जात० would mean on account of
the fatigue caused by the road (or distance) अशिशिल ०संवा
नानि that (limbs) were shampooed by close embraces दत्त
संवादन येभ्य Pressing the limbs removes fatigue परिरम्भ
embrace परि दुर्बलानि as weak (soft) as a squeezed lotus stalk
or fibre मुखे at the entrance विराधसंरॊध - the obstruction
(caused to us) by the (demon) विराध For the story of विराध,
see अरण्यकाण्ड सर्ग 2-4 'अह वनमिद दुर्गे विराधो नाम राक्षस ॥ चरामि
सायुधो नित्यमृषिमांसानि भक्षयन् ।' सर्गे 2 12 13 प्रेक्षे रभ्यम् I shall
see the act of my entering into the southern forest, when
the heat was warded off by the umbrella made of ताल leaves
held in his own hand by my lord आर्यपुत्रेण स्वहस्ते धृत तालवृन्तेन ।
आतपत्र तेन निवारित आतप यस्मिन् G seems to have read-आत्मन
अक्षिभ्यां दक्षिणारण्यपथिकत्वम्—I shall see with my own eyes my
rôle of a traveller in the southern forest (painted in the

-L 24] UTTARARÂMACHARITA 27
picture) N reads आत्मनः अव्याहतं पद्विकत्वम्—my rôle of a
traveller in the southern forest which was a great misfortune
(as it led to her being carried away by रावण)
P 17. Verse 25 तानि well known गिरिनिर्झरिणी mountain
stream वैखानसैः आश्रितास्तरव येषु तानि the trees in which were
resorted to by hermits. वैखानस is the same as वानप्रस्थ, as क्षी-
रस्वामी says 'वनप्रस्थे मरो वानप्रस्थ वैखानसास्त्र्य-' हरदत्त commenting
upon गौतमधर्मसूत्र III 2 says 'वैखानसो वानप्रस्थः । विखनसा प्रोक्तेन
मार्गेण वर्तते इति । तेन हि स आश्रमः प्राधान्येन प्रतिपादितः' From this it
seems that a sage called विखनस् had in very ancient times com-
posed a सूत्र work dealing with the duties of वानप्रस्थ and भिक्षुऽ.
Pandit Ganapatis'astri of Trivandrum has published a Sutra
of Vikhanas dealing with the duties of the four Varnas and
the four आश्रमs (particularly of hermits) आतिथेय परम् येषान्
to whom hospitality is the highest (duty) आतिथेयम्—(अतिथि
+ढञ्) 'पथ्यतिथिवसतिस्वपतेर्ढञ्' पा० ४ ४ 104 (अतिथये साधु) दमिनः
those who have practised the दमs (moral observances)
'ब्रह्मचर्यं दया क्षान्तिर्दानं सत्यमकल्कता । अहिंसाऽस्तेयमाधुर्यं दमश्चेति यमाः
स्मृताः ॥' याज्ञवल्क्यस्मृति III. 313. Five यमs are spoken of in
the योगसूत्र II. 30 'अहिंसा-सत्य-अस्तेय ब्रह्मचर्य-अपरिग्रहा यमाः' The
reading शमिनः would mean 'those who have subdued their
passions' नीवारमुष्टि पचन पाको येषाम्—those who cook a handful
of wild rice (i. e. those who subsist on a handful of rice got by
chance). We may also dissolve as नीवारमुष्टिं पचन्तीति ०पचनाः The
affix मन् though generally करणवाचक or भाववाचक may sometimes
be कर्तृवाचक also. The वानप्रस्थ was allowed to go to a forest with his
wife hence to some extent he was a गृही But he had to conform
to other rules which distinguished him from a गृहस्थ 'सुतन्त्विक्षन्न-
सौकर्याया बाऽनुगतो वनम् । वानप्रस्थो ब्रह्मचारी साग्नि' सोपासनो व्रजेत्॥ अफल्कृष्टे-
नैनाप्रींश्च पितृदेवातिथींनपि । भृत्यांश्च सर्पयेद् दन्तकुट्टनोश्मशूतमवात्॥ प्राशाद्-
हत्य वा पाशात्तो भुञ्जीत वाग्यतः ॥' याज्ञवल्क्यस्मृति III 45–46, 55 (on 45
मिताक्षरा observes 'फालकृष्टान् कर्णन्माषादीन्वर्जयेत् । अकृष्टक्षेत्रोद्भूतेन नीवार
वेणुतण्डुलाद्यादिना अग्नीन्संतर्पयेत्') अविरल अनोकहा (वृक्षा) तैश्च निबिडेन निरन्तरं
(सान्द्रं) स्निग्ध नीलं परिसरारण्यं तेन परिवृता चासौ गोदावरी च तया मुखराणि कन्द-
राणि यस्य (स गिरिः)—the valleys of which resound with (the waves
or falling waters of) the गोदावरी which is encircled by the forest
on the environs which (forest) is blue, glossy and dense with
the mass (निवह) of thick trees (growing in it). The mountain
had on its slopes dense forests. The गोदावरी ran past it and
therefore the valley resounded. राम only saw the picture of the

28 NOTES ON [ I. 25-
mountain, the forest and the river and remembered that he had
heard the echo from the resounding caves when he had been in
जनस्थान अनोकह a tree (अनम् शकटस्य अरु गति इति इति) परिसर
verge, environs N reads ॰मुखकन्दर, when we should dissolve
(as वीर० does) अरण्यपरिनद्धा गोदावरी मुखेषु येषां तानि कन्दराणि यस्य The
meaning in that case is 'the caves of which had at their entrance
the गोदावरी encircled by &c' सततम् अभिष्यन्दमाने मेघै मेदुरित नीलिमा
यस्य whose blueness was heightened by the clouds that were
constantly raining मेदुरित is past pass part of मेदुरयति deno verb
from मेदुर (unctuous, thick) 'सान्द्रस्निग्धस्तु मेदुर' इत्यमर नीलिमा—
नीलिमन् is derived from नील by the affix इमन् according to 'पृथ्वादिभ्य
इमनिज्वा' पा० 5 1 122 जनस्थानस्य मध्यं गच्छति इति०न् standing in
the midst of जनस्थान जनस्थानम् a part of the दण्डका forest There
is a controversy as to its exact location Some hold that it was
near the modern Nasik Others are of opinion that it was much
lower down the course of the गोदावरी and was near the mouth
than towards its source This very passage occurs word for word
in the 5th Act of the महावीरचरित after verse 15 as part of the
speech of जटायु See रामायण अरण्य०सर्ग 13 where अगस्त्य directs राम
to go to पञ्चवटी and erect a hermitage there. Verse 26 स्मरसि do
you remember ? सुतनु voc (addressed to सीता) तानि अहानि—
object of स्मरसि तस्मिन् पर्वते ॰प्रस्रवणे प्रतिविहिता या सपर्या (पूजा) तया
सुखयो (आवयो ) those days ) of us that were at ease on account
of the service (attendance) rendered (by लक्ष्मण) 'पूजा नमस्याप
चिति सपर्याऽर्हणा समा' इत्यमर लक्ष्मणेन is to be connected with
प्रतिविहित in the compound प्रति सुखयो This is called एकदेशी
अन्वय सरसं नीरं यस्या the waters of which have an agreeable taste
The reading सरसतीराम् would mean 'the banks of which are full
of water or are charming तस्या उपान्तेषु In the vicinity of the
गोदावरी वर्तनानि—movements, mode of living G seems to read
वर्तितानि which means the same thing Verse 27 The prin
cipal sentence is (आवयो) रात्रिरेव व्यरंसीत् (न तु जल्पनम्) जल्पतो
and ददतो qualify आवयो to be supplied from the preceding
verse किमपि क्रमेण (of us) that were talking at random in a
low whisper something (that was indescribable) on account
of our great affection (for each other), our cheeks being laid
close together राम says he cannot describe what they were
then talking of On account of the great love they bore to
each other, each eagerly devoured whatever was whispered
by the other There was no thread running through all their
talk They pursued one topic after another as fancy dictated

--I. 27] UTTARARÂMACHARITA. 29

अविरलितौ कपोलौ यथा स्याताम् तथा (अव्ययीभाव) The reading आसक्ति
योगात् (on account of our close proximity to each other) is not
so good as the one in the text. The word जातमपिद्योतन् con-
stitutes the reason of the rest of the clause. अविशिथिल (दृढ)
परिरम्भ (आलिङ्गन) तस्मिन् व्यापृत एकैक दो ययो (of us) each arm
of whom was engaged in close embrace. The word is दोस् m
n, but in the inflections beginning with the acc plu. the word
optionally substitutes for itself दोषन् and hence we have *दोष्णो,
otherwise we should have had दोषौ अविदिता गतायामा यस्या
the watches of which passed away without our being conscious
of it याम means 'one-eighth part of the day' 'द्वौ यामप्रहरौ समौ
इत्यमरः' रात्रिरेव व्यरसीत्-The night itself ended (passed away,
but not our conversation) व्यरसीत्-Aorist परस्मैपद 3rd per
sing of रम् with वि रम् is Atmanepadi but when preceded
by वि आ and परि it takes परस्मैपद necessarily 'व्याङ्परिभ्यो रमः'
पा 1 3 83 This verse is quoted in the दशरूपक (IV 69) as
an example of सम्भोगशृङ्गार For the story traditionally narrat-
ed with reference to this verse, see Introduction.
पञ्चवटी was a part of the दण्डका forest about two योजनs (20
miles) from अगस्त्य's hermitage अगस्त्य say to राम इतो द्वियोजने
तात बहुमूलफलोदकः । देशो बहुमृग श्रीमान्पञ्चवट्यभिविश्रुत ॥ तत्र गत्वाऽऽश्रमपदं
कृत्वा सौमित्रिणा सह । रमस्व त्वं पितुर्वाक्य यथोक्तमनुपालयन् ॥ स देशः
श्लाघनीयश्च नातिदूरे च राघव । गोदावर्या समीपे च मैथिली तत्र रंस्यते ॥' अरण्य०
सर्ग 14 13-18 There are some who dispute the claim of the
modern पञ्चवटी near Nasik to be the पञ्चवटी referred to in the
रामायण शूर्पणखा-She was the sister of रावण Seeing the handsome
राम, she fell in love with him and asked him who he was and
how he came with his wife to the forest in the garb of an ascetic.
राम told her all and asked her in jest to marry लक्ष्मण who was
without wife. लक्ष्मण said in the same tone that he was a mere
servant of राम and that therefore she should not be the wife of a
servant She then came back and said to राम that she would de-
vour सीता who was not fit to be his wife and then marry him
When she rushed towards सीता, राम called upon लक्ष्मण to punish
her लक्ष्मण cut off her nose and ears, when she ran away into the
forest see अरण्यकाण्ड सर्ग 17-18 शूर्पणखा-'नखमुखात् संज्ञायाम्' पा० 4
1 58 (ङीष् न स्यात् । शूर्पणखा । गौरमुखा । संज्ञाया किम् । ताम्रमुखी कन्या ।
सि कौ ) and 'पूर्वपदात्संज्ञायामगः' पा 8 4 3. (पूर्वपदस्थान्निमित्तात्परस्य नस्य
ण स्यात्संज्ञायां न तु गकारव्यवाये । शूर्पेव नासिकेत्यस्य ङ्यन्तः । अगः किम् ।
ऋष्यामूर्द्धने नखदन्तम् (सि कौ).

30 NOTES ON [ L 27—
P. 18 एतावत्ते दर्शनम् lit so much only is (my) seeing you,

• • I shall see you no longer. On seeing शूर्पणखा सीता recollects
    the incident that she rushed at her formerly to devour her and
    feels as if she were experiencing the anguish of approaching
    death Or we may explain in another way With the advent
    of शूर्पणखा began the troubles of राम, which led ultimately to the
    abduction of सीता by रावण On seeing शूर्पणखा's picture सीता
    passes through the train of thoughts associated with her and
    thinks as if she were going to be carried away विप्रयोगाद् (विर-
    हात्) त्रसे (Oh you) who are afraid of separation (from me)
    चित्रमेतत् this is a picture (and not reality) यथा - त्यादयति be
    it as it may, a wicked person causes misery (whether actually
    present or only seen in a picture) हन्त—'हन्त हर्षाऽनुकम्पादा-
    वाक्यारम्भविषादयो ' इत्यमरः. वर्तमान इव as if present प्रतिभाति seems.
    Verse 28. Construe 'अथ इद कनक - विधिना पापै रक्षोभि तथा वृत्तं
    यथा क्षान्तमपि व्यथयति.' Henceforward the wicked demons acted
    in such a way by means of the deception (practised on
    राम) in the form of the golden antelope that, though
    remedied (lit washed away), it causes pain इद—refers
    to that part of the picture which depicted the incidents
    subsequent to the appearance of शूर्पणखा. कनकहरिण एव छम
    (कपट) तस्य विधिना. क्षान्त—सम्यक् प्रतिहत—The reference may
    be either to the revenge taken by destroying रावण or rather
    to the fact that सीता had undergone the ordeal of fire
    as the ultimate consequence of the deception शून्ये tenant
    less, void of human beings (particularly of सीता after she was
    carried away) विकल रोदिति by the deeds of his honour
    (i e राम) in which his senses were overwhelmed (by the
    sorrow for सीता), even a stone would weep अपि shows
    much bit... ...
    ing) There is also another reading यण्णकरणे (extremely
    woeful) which is good In the last quarter, the poet seems to
    allude to his own power of making even the stones weep by
    his forcible and touching treatment of the sentiment of pat-
    hos The demon मारीच, being pressed and threatened by रावण,
    assumed the form of a golden antelope and wandered about
    राम's आश्रम. सीता was fascinated by its form. सीता urged राम
    to pursue the antelope and bring it to her alive or dead राम
    went in pursuit, leaving लक्ष्मण behind. राम hit the antelope,

—I. 28] UTTARARÂMACHARITA 31
which on dying uttered accents like those of राम crying ‘Alas !
Oa Sita, Oh, Lakshmana.’ On hearing those words, सीता pressed
लक्ष्मण to go in search of राम लक्ष्मण said that the accents
were not really those of राम, but that it was a trick of the
demon मारीच and that there was none in the world who could
bring राम into difficulty. सीता suspecting लक्ष्मण unreasonably,
upbraided him so fiercely that he, against his will, went to
search for राम In the absence of लक्ष्मण, रावण came in the form
of an ascetic and carried off सीता See अरण्यकाण्ड सर्ग 42 ff. मम
आर्यी thou wert thus troubled for my sake. निर्वर्ण्य observing
closely. साकूतम् with feeling ‘आहव ह्वनं यथो पनापाकृतमाशय ।’
क्षीरस्वामी
P 19 Verse 29 वाष्प tears. त्रुटित् सर like a string
of pearls that has snapped asunder. मुक्ता एव मलय येषा सर
विम्पंदन् -दन् coming out in a stream rolls on the ground, being
shattered to particles. जर्जरैः कणैः दस्त. निरङ्क भवति your
affliction, though suppressed becomes manifest (lit. inferrible)
to others by the throbbing of the lower lip and nostrils. स्फुरन्त
अधर नासापुटो च यस्य स स्फुर...पुरः तस्य भावः स्फुटत्वा तथा उन्नेयः Fut. pass.
part. of नी with उद् परेषामुन्नेय—Pot. pass participles are used
with the instrumental or genitive of the agents of the action
denoted by them ‘कृत्यानां कर्तरिवा’ पा० 2 3 71 (षष्ठी वा स्यात्). भरेण
आध्मात हृन्य देन (adj of आवेग ) that fills the heart by its weight
i e excess. A reads भवति चिरादाध्मातः which means that has
made the heart full or heaving for a long time This is not
bad. Verse 30 तत्ताल (acc of time) at the time राम refers
to the time when सीता was carried away by रावण प्रियजन (सीता)
तस्य वियोग (विरह ) तस्मात् जन्म यस्य स ०दन्मा (adj of दुःखाग्नि)
arising from the separation of one dear to me. तीव्र sharp, fierce
प्रति बन्चया with the desire of retaliation (taking revenge
on those who caused the separation) विषोढ endured (past
pass. part of सह् with वि) हुतसमर्चिरिव म्रतनि करोति (the fire
of sorrow) being again developed (by the sight of the picture)
causes pain like an ulcer in the vitals of the heart. राम् means
that when he was deprived of सीता he patiently bore fierce
affliction as he was bent upon avenging himself on those who
caused him the sorrow But at the sight of the picture he was
made to feel those painful experiences without there being
any compensating idea of expected revenge that could lessen
the pain A reads तत्काल्पि्रय० which would mean ‘arising from
separation at that time of one dear to me This is not so