उत्तररामचरितम् (महाकवि भवभूति - संस्कृत मूल एवं हिन्दी व्याख्या)

—VI 13] UTTARARĀMACHARITA. 169
०कर्मणा—refers to राम. अहेतुकस्नेह causeless (disinterested)
affection. मया मूढेन but I, a fool, took up weapons to do harm
to him (राम). तस्मै द्रोग्धुम्—the dative is used according to
‘क्रुधद्रुहेर्ष्यासूयार्थानां यं प्रति कोपः’ पा I. 4 37 The reading ‘इयं
क्वचित्पाठस्त्वयं यदनादरेणाहं यविष्ठत्वादस्तो दुर्योगः’ means ‘I being a
fool became hostile to him so that my hostile conduct went so
far as to take up weapons against him This reading is not
good The meaning of दुर्योग is not quite clear. Moreover
तस्मै अभिद्रुह्यन् is incorrect. क्रुध् and द्रुह् when preceded by a
preposition govern the accusative and not the dative.
क्रुधद्रुहोरुपसृष्टयोः कर्म पा I 4 38 क्षमस्व forgive बालिशता foolishness
P 129 आविष्करणं making manifest i. e. proclamation
वीरचरितम्—वीरवत् आचरितम्—past pass. p. of वीरायते. Verse 14 स ..
कृतक that is his peculiar character, which is not assumed (i. e.
is innate) as it is necessitated by his very nature प्रकृत्या
नियतत्वात् नियतं settled or fixed, न कृतकं अकृतकम् The idea is
that bravery is innate while insolence can very well be assum-
ed. अकाण्डम् adv. incessantly. किन्त्वा वमति why does the fire
stone give out (lit. vomit) heat as if it were insulted? This
is a fine and appropriate illustration. As the fierce lustre of
the sunstone is really derived from the sun, so the valour of
Lava is but derived from his father Rama This is what is
suggested by the poet. जाज्वल्यमा० = अत्युत्कटस्फुलिङ्गमर्चिषा
The figure in this verse is अर्थान्तरन्यास. Compare भर्तृहरि ‘यदेतेन
नेऽपि पादैः स्पृष्टः प्रज्वलति सवितुरिनकान्तः । तद्वन्तो पुरुषः परकृतविकृतौ कथं
सहते ॥’, ‘तेजोमयः परं पदोपारोपणया प्रव्यथते स्पृष्टोऽपि हि रवौ स एव स
महीयसः सहते नान्यसमुन्नतिं यदा ॥’ किरातार्जुनीय II. 21 अमर्ष non-
endurance i. e. jealousy. विदधत्पवन नियुक्त (employed) जृम्भणास्त्र-
देन निष्कम्प यथा तथा स्तम्भितानि—that were paralysed by the जृम्भक
missile so as to be motionless &c. संह्रियन्ताम् let it be with-
drawn. निस्पन्दानि च तानि मन्द्व विजिह्मीनि that cannot exert
themselves and hence are dismayed (or ashamed). ‘शिष्यो
विस्मापयिष्ये’ इत्यत्र सम्भवं वदति—This is a fine device used by
the poet to send away चन्द्रकेतु and leave राम and लव alone.
प्रणिधान concentration. नाटयति represents on the stage. रहस्यानु-
गतं रहस्यमयी प्रयोगोपसंहारी यैस्तान्—the discharge and withdrawal of
which are accompanied (i. e are effected) by charms
– साम्प्रदाय० have a tradition i. e. are handed down from teacher
to pupil. Verse 15 This occurs in the first Act. Vide notes
p 18. न्येशा (अभ्यास) तथा तेषां परायणं (complete study) न्याय
15