उत्तररामचरितम् (महाकवि भवभूति - संस्कृत मूल एवं हिन्दी व्याख्या)

78 NOTES ON [ II. 30-
fluences of rivers, where the water is deep, which are boisterous
on account of the noise of the waves moving confusedly on
account of their dashing against one another अन्योन्यप्रतिघातेन
संकुला (निविडा ) चलन्त्यः कल्लोला तेषां कोलाहलै . उत्ताल adj ('उद्दण्ड
मुत्तालमिति हि संख्या' क्षीरस्वामी ) उद्गतो तालोऽ—boisterous गभीरं पय
येषाम् सरिता सङ्गमा
Act III.
This Act opens with a dialogue between तमसा and मुरला,
the presiding deities of two rivers The dialogue serves the
purpose of preparing the audience for the meeting of राम and
सीता unknown to each other, which is the business of this Act
The scene is laid in पञ्चवटी
P 51 किम सम्भ्रान्तेव why do you appear as if in a hurry ?
सरिद्वराम् the best of rivers जानास्येव—from this to the end of verse
2 extends the message sent by लोपामुद्रा to गोदावरी at the hands of
मुरला जानास्येव you already know यथा that वधू प्रभृति from the
time of the abandonment of the daughter in law सीता is referred
to as वधू by लोपामुद्रा These words are to be connected with the
following verse
Veres 1 अनिर्भिन्नो . रस the pathetic condition of Rāma, not
manifested (to others) on account of the profundity (of राम),
but causing him intense torment inside, is like the boiling (of
some drug) in a closed vessel. पुटपाक a particular method of
preparing drugs, in which the various ingredients are put in a
vessel covered with a plaster of clay or wrapped up in the leaves
of some tree which are then covered up with a plaster of clay
and the whole is then roasted in fire प्रतीकाश means 'resembl-
ing' 'साधारण समानश्च स्यूरत्तरपदे त्वमी । निभसङ्काशनीकाशप्रतीकाशो
पमादय' इत्यमर In the पुटपाक, the ingredients inside the closed
vessel undergo great heat and are in a ferment. But as the
plaster of clay and the vessel intervene, all this heat is hidden
and not manifest to the eyes of the people. Similarly Rāma's sor-
row is not manifest to the people, because being a person of pro-
found mind, he does not communicate to others what he feels
nor does he allow others to see what havoc is made by deep-
seated sorrow in his heart. The torment is all the same exces-
sive though not seen अन्तर्गूढो घना व्यथा यस्य The reading in the