सिद्धान्तशिखामणि (शिवयोगी रेणुकाचार्य - वीरशैव षट्स्थल दर्शन एवं शक्तिविशिष्टाद्वैत महाग्रन्थ)

24 A preamble to Śrī Siddhāntaśikhāmaṇi
शृङ्गारतटिनीतुङ्गपुलिनश्रोणिभारया ।।३२।।
कुसुम्भकुसुमच्छायाकोमलाम्बरशोभया।
शृङ्गारोद्यानसंरम्भरम्भास्तम्भोरुकाण्डया ।।३३।।
चूतप्रवालसुषमासुकुमारपदाम्बज्या ।
स्थिरमङ्गलशृङ्गारभूषणालाङ्कृताङ्गया ।।३४।।
हारनूपुरकेयूरचमत्कृतशरीरया ।
चक्षुरानन्दलतया सौभाग्यकुलविद्यया ।।३५।।
उमया सममासीनं लोकजालकुटुम्बया।
अपूर्वरूपमभजन् परिवाराः समन्ततः ।।३६।।
vāmapārśvanivāsinyā maṅgalapriyaveṣayā |
samastalokanirmānasamavāyasvarūpavā ||24||
icchājñānakriyārūpabahuśaktivilāsayā |
vidvātattvaprakāśinvā vinābhāvavihīnavā ||25||
saṁsāraviṣakāntāradāhadāvāgnilekhayā |
dhammillamallikāmodahaṅkurvadbhṛṅgamālavā ||26||
sampūrṇacandrasaubhāgyasaṁvādīmukhapadmayā |
nāsāmauktikalāvanvaśirasmitāśobhavā ||27||
maṇitāṭaṅkaraṅgāntarvalitāpāṅgalīlayā |
netradvitavasaunḍarvaninditendīvaratviṣā ||28||
kusumāyudhakodaṇḍakuṭilābhrūvilāsayā |
bandhūkakusumacchāvābandhubhūtā'dharaśrivā ||29||
kaṇṭhanālajitānaṅgakambubhibbokasampadā |
bāhudvitayasaubhāgyavañcitotpalamālavā ||30||
sthiravauvanalāvanyaśṛṅgāritaśarīravā |
atvantakanthinottuṅgapīvarastanabhāravā ||31||
mṛṇālavallarītantubandhubhūtāvalagnayā |
śṛṅgāratatinītuṅgapulināśronibhāravā ||32||
kusumbhakusumacchāyākomalāmbaraśobhavā |
śṛṅgārodvānasaṁrambharambhāstambhorukndavā ||33||
1. Veda and Upaniṣads : Philosophy of the Av. 25
cūtapravālasuṣumāsukumārapadābjayā |
sthiramaṅgalaśṛṅgārabhūṣanālaṅkṛtāṅgavā ||34||
hāranūpurakeyūracamatkṛtaśarīrayā |
cakṣurānandalatavā saubhāgvakulavidvavā ||35||
umayā samamāsīnaṁ lokajālakuṭumbayā |
apūrvarūpamabhaian parivārāḥ samantatah ||36||
With Umā (36) who sat by his (Śiva's) left side, who
was decked in an auspicious and pleasing dress, who was of
the form of the material cause for the creation of all the worlds
(24), who displayed her many powers as Icchāśakti, Jñānaśakti
and Kriyāśakti, who revealed the 'Śuddhavidyātattva', who
was ever without separation from Śiva (25), who was the row
of forest-fire to burn the poisonous forest in the form of
transmigration, who had the swarms of bees humming with
the fragrance of the fully-blown jasmine flowers (26), whose
face-lotus was a match to the beauty of the full moon, who
had the beauty of her smile strewn with excessive loveliness
of the pearls in the nose-ornament (27), whose side glances
sportively danced on the stage in the form of the jewelled
ear-ornaments, who looked down on the colour of the blue
lotuses with the beauty of her two eyes (28), who was en-
dowed with the grace of eye-brows curved like the bow of
cupid with floral weapons (arrows), whose lower lip had the
(red) beauty related to the beauty of the Bandhūka flowers
(29), whose neck defeated cupid's victory conch and its voice,
who with the beauty of her two arms hoodwinked the garland
of Utpala flowers (30), whose body was adorned with the
loveliness of permanent youth, who was heavy with her
extremely hard, rising and bulging breasts (31), whose waist
was matched with the fibre of the lotus stalk, who was heavy
with the hip region resembling the raised sand of the river in
the form of love (32), who shone with the dress which was
lovely and tender like the Kusumbha flowers, whose tapering
thighs looked like the plantain trees adorning the garden of
love (33), whose lotus - like feet were as charming and soft as