सङ्गीतरत्नाकर: प्रथम भाग (शार्ङ्गदेव - स्वरगताध्याय सविस्तार व्याख्या व अनुवाद सहित)

( xlvi )

( xlvi )
3. The formation of the incom-
plete permutational note-
series ... (35b-36)
4. The enumeration of the
different permutational
note-series ... (37-38)
5. The names of the first four
permutational note-series ... (39)
6. The enumeration of the
hexatonics ... (40-43a)
7. The enumeration of the
pentatonics ... (43b-45b)
8. The enumeration of the
tetratonics ... (45c-46)
9. The enumeration of the
tritones ... (47-48a)
10. The enumeration of the
bitones and the monotones ... (48b-49)
(iii) The repetitions and the total number
of permutational note-series ... 50-60a
(iv) Determining the number of permutational
forms in the note-series of each mūrcchanā ... 60b-61
(v) The formation of the permutational calculus
(prastāra) ... 62-63b
(vi) Khaṇḍameru (permutation-indicator) ... 63c-71

1. The construction of the per-
   mutation indicator ... (63c-66b)
2. The procedure for finding
   out the indicated note-
   series (uddiṣṭa) ... (66c-68b)
3. The procedure for finding
   out the missing note-series
   (naṣṭa) ... (68c-70)
4. The number of permutatio-
   nal note-series in each of
   the series as shown by the
   permutation-indicator ... (71)

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( xlvii )

( xlvii )
(vii) The names of the combinational note-series ... 72-90b

1. The hexatonic combinational
   note-series of the ṣaḍja-
   grāma ... (72-78b)
2. The hexatonic combinational-
   note-series of the madhyama-
   grāma ... (78c-82)
3. The pentatonic combinatio-
   nal note-series of the ṣaḍja-
   grāma ... (83-86)
4. The pentatonic combinatio-
   nal note-series of the madhyama-
   grāma ... (87-90b)
   (viii) The functional purpose of the vedic names
   of combinational note-series ... 90cd
   (ix) The specific use of combinational and
   permutational note-series in gāndharva
   and gāna ... 91
   Section : 5 Overlapping (Sādhāraṇa) 1-11b
   (i) Twofold overlapping and the overlapping
   of note-intervals ... 1-2b
   (ii) The overlapping of kākalī and antara ... 2c-3
   (iii) The usage of kākalī and antara ... 4-6
   (iv) The overlapping of ṣaḍja and madhyama ... 7-9
   (v) The overlapping of jāti-s ... 10-11b
   Section 6 : Tone-patterns (varṇa) and Tonal
   Embellishments (alaṅkāra) 1-65b
   (i) The definition and classification of tone-
   patterns (varṇa) ... 1-3b
   (ii) The definition and classification of tonal
   embellishment (alaṅkāra) ... 3c-64b
   (a) The definition of tonal embellishment
   (alaṅkāra) ... 3cd
   (b) The definition and enumeration of
   the embellishments of the steady tone-
   pattern (sthāyī-varṇa) ... 4-6b
   (c) The significance of the terms, mandra,
   tāra, etc. ... 6c-8
   (d) The embellishments of the steady tone-
   pattern ... 9-13