सङ्गीतरत्नाकर: प्रथम भाग (शार्ङ्गदेव - स्वरगताध्याय सविस्तार व्याख्या व अनुवाद सहित)

Treatment of Svara Section 7: Jāti-s (Melodic types) 365
9. dhā ni mā pā gā gā gā gā 23. sā sā dha-ni dha pā pā pā pā
bha va ha raṁ⁶ ka ma la ge kṣī roda sā ga
10. mā mā mā mā mā mā mā mā 24. mā pā mā pa-ri-ga gā gā sā sā
ham ra ni ka śam
11. ri gā mā pā pa-ma pā pā ni 25. rī rī gā gā mā mā pā pā
śi vam śan tam san ni A ja śi raḥ ka pa la
12. ri ri rī ri pā pā mā mā 26. rī rī rī gā mā ri-ga mā ma
ve śa na ma pū rvam pī thu bha ja nam
13. dhā ni sa-ni-ni dhā pā pā pā pa⁸ 27. mā nī pā nī gā ga gā ga
Bhū ṣa ṇa li lam van de su kha dam
14. dha ni⁹ mā pā gā ga ga gā 28. mā mā pā pā dhā dha-ni ni-dha ma
u ra ge śa bho ga ha ra de ha ma ma la
15. ga pā pā pā dhā mā gā mā 29. dha dha sā ni dha nī pā pā
bha su ra śu bha pr thu ma dhu sū da na su
16. dha dhā ni dha pā pā pa pā 30. rī rī rī rī ma pā dha mā
lam te jo dhī ka su
17. rī gā mā pā pa-ma pā pā ni 31. nī nī nī nī dhā pā mā mā
A ca la pa ti sū nu ga ti yo
18. rī ri rī ri pā pā pā pā 32. ma pa-ri-ga ga gā gā gā gā ga⁷
ka ra paḥ ka jā ma nim
19. pā pā pā pā dhā mā mā mā
la vi la sa ki la घ. उपसंहारः
20. ni pā gā ga-ma gā gā ga gā
na vi no dam (i) जातिविषयकाः सामान्यनिर्देशाः
21. ri ri gā gā mā mā mā mā अनुक्ताविह तालः स्यात्त्रिधैर्वैककलाव्दिकः ।
spha ṭi ka ma ṇi ra ja ta मार्गाः क्रमाच्चित्रवृत्तिदक्षिणा, गीतयः पुनः ॥१९०॥
22. nī pā nī mā nī dhā pā pā
si ta na va du kū la मागधी संभाविता च पृथुलेत्युदिताः क्रमात् ।
6. The anusvāra has been supplied to make the text intelligible. योक्ता ऽस्माभिः कलासंख्या सा दक्षिणपथे स्थिता ॥१९१॥
7. 'K' observes that this is the last of the associate modified वार्त्तिके द्विगुणा ज्ञेया सैव चित्रे चतुर्गुणा ।
jāti-s to have been demonstrated in the state of completeness
with one of their respective fundamental notes, and their other सर्वजातिषु जानीयादंशस्वरगतं रसम् ॥१९२॥
forms with the other of their fundamental notes and so on
can be worked out similarly.
8 & 9. Ad. ed. of S. R. reads pā pā pā and nī which has been