सङ्गीतरत्नाकर: प्रथम भाग (शार्ङ्गदेव - स्वरगताध्याय सविस्तार व्याख्या व अनुवाद सहित)

Left Page: Page 346

| 346 Treatment of Svara
७. मा पा नी सा पा पा गा गा
प्र व र ग ण पू जि
८. गा पां मां निधं नीं नीं सा सा
त म जे यं
९. पां पां मां धंनि पां पां पां पां
सु रा भि ष्टु त म नि ल
१०. मां पां मां रिग गा गा गा गा
म नो ज व मं बु
११. गा पा मा पा नी नी नी नी
दो द धि नि ना द
१२. मा पा मा परिग गा गा गा गा
म ति हा सं
१३. गां गां गां गां मां निधं नी' नी'
शि वं शां त म सु र
१४. नी नी धप मा निध निध पा पा
च मू म थ नं
१५. री' गां सां सां मां निधंनिं नी' नी'
वं दे त्रै लो क्य
१६. नी' नी' धा पा धा पा मा मा
न त च र णं
[ तत्र साकल्येन पदयोजना ]
[ देहार्धरूपमतिकान्तिममलममलेन्दुकुन्दकुमुदनिभं
चामीकराम्बुरुहदिव्यकान्तिप्रवरगणपूजितमजेयम् ।
सुराभिष्टुतम निलमनोजवमम्बुदोदधिनिनादमतिहासं
शिवं शान्तमसुरचमूमथनं वन्दे त्रैलोक्यनतचरणम् ॥]

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Right Page: Page 347

Section 7 : Jāti-s (Melodic types) 347
(xiv) Madhyamodīcyavā : (99-100)
Madhyamodīcyavā is considered always to be complete¹
with pañcama for its fundamental note. Its other features
may be understood to be like those of gāndhārodīcyavā.² Its
mūrcchanā commences with madhyama, tāla is accepted to be
caccatpuṭa and its proper application is in the dhruvā of the
fourth act. (99-100)
The final note, in this madhyamodīcyavā is madhyama.
Its prastāra³ :

1. pā dha-ni nī nī mā pā nī pā
   De ha rdha tū pa
2. rī rī rī ga sā ri-ga ga gā
   ma ti kān ti ma ma la
3. nī nī nī nī nī nī nī nī
   ma ma len du kun da
4. nī nī dha-pa mā ni-dha ni-dha pā pā
   ku mu da ni bham
5. pā pā ri rī rī ri ri rī
   cā mī ka raṃ bu
6. mā ri-ga gā sa-dha nī nī nī nī
   ru ha di vya kān ti
7. mā pā nī sā pā pā gā gā
   pra va ra ga ṇa pū ji
8. That is, no hexatonic or pentatonic forms are possible in it.
9. Other features imply the rareness and the profusion, the
   sixteen kalā-s and so on—these may be understood to be the
   same as in gāndhārodīcyavā.
10. The purport of the song is as under :
    Obeisance to Śiva in His Ardhanārīśvara form which is
    extremely bright, pure and resembles (in its whiteness) the
    clear moon, white jasmine and the white water lily, who is
    worshipped by the chiefs of his troops, extremely resplendent
    like the golden lotus, who is invincible, is adored by the gods,
    has the speed of the wind and of the mind and the sound of
    the clouds and of the ocean and has the tumultuous laughter,
    who is peaceful, the vanquisher of the army of demons and
    whose feet are worshipped by all the three worlds.