सङ्गीतरत्नाकर: प्रथम भाग (शार्ङ्गदेव - स्वरगताध्याय सविस्तार व्याख्या व अनुवाद सहित)

226 Treatment of Svara
3. षड्जग्रामस्थौडुवशुद्धतानाः
इडा पुरुषमेधश्च श्येनो वज्र इषुस्ततः ।
अङ्गिराः कङ्क इत्येताः सपहीनाभिधाः क्रमात् ॥८३॥
ज्योतिष्टोमस्ततो दर्शो नान्द्याख्यः पौर्णमासकः ।
अश्वप्रतिग्रहो रात्रिः सौभरः सप्तमः स्मृतः ॥८४॥
एता निषादगान्धारहीनानामभिधाः क्रमात् ।
सौभाग्यकृच्च कारीरी शान्तिकृत्पुष्टिकृत्तथा ॥८५॥
वैनतेयोच्चाटनौ च वशीकरणसंज्ञकः ।
पञ्चमर्षभहीनानां तानानामभिधा इमाः ॥८६॥
6. The names of (the note-series) devoid of ṛṣabha are
believed to be—agnicit, dvādaśāha, upāṁśu, soma, aśvapratigraha,
barhi and abhyudaya. (80-81b)
7. The names of (the note-series) devoid of gāndhāra
are respectively said to be sarvasvadakṣiṇa, dīkṣā, soma, samit,
svāhākāra, tanūnapāt and godohana. (81c-82)
(c) The pentatonic combinational note-series of ṣaḍja-
grāma : (83-86)

1. The names of (the note-series)⁶ eliminating ṣaḍja
   and pañcama respectively are as under :
   Iḍā, puruṣamedha, śyena, vajra, iṣu, aṅgirā and kaṅka. (83)
2. The names of (the note-series) omitting niṣāda and
   gāndhāra respectively are jyotiṣṭoma, darśa, nāndī, paurṇamāsa,
   aśvaprati-graha and saubhara. (84-85b)
3. The names of the note-series leaving out pañcama and
   ṛṣabha respectively are—saubhāgyakṛt, kārīrī, śāntikṛt, puṣṭikṛt,
   vainateya, uccāṭana and vaśīkaraṇa. (85c-86)
4. These note-series pertain to the ṣaḍja-grama.
   Section 4 : Grāma, Mūrcchanā, Krama and Tāna 227
5. मध्यमग्रामस्थौडुवशुद्धतानाः
   त्रैलोक्यमोहनो वीरः कन्दर्पबलशातनः ॥८७॥
   शङ्खचूडो गजच्छाया रौद्राख्यो विष्णुविक्रमः ।
   तानानां रिधहीनानां नामान्येतान्यनुक्रमात् ॥८८॥
   भैरवः कामदाख्यश्चावभृथो ऽष्टकपालकः ।
   स्विष्टकृच्च वषट्कारो मोक्षदः सप्तमो मतः ॥८९॥
   संज्ञा निषादगान्धारहीनानामिति संमताः ।
   (viii) शुद्धतानानां वैदिकनाम्नां तत्तद्यज्ञफलम्
   यद्यज्ञनामा यस्तानस्तस्य तत्फलमिष्यते ॥९०॥
   (d) The pentatonic combinational note-series of the
   madhyama-grāma : (87-90b)
6. The names of the note-series eliminating ṛṣabha and
   dhaivata respectively are trailokyamohana, vīra, kandarpabala-
   śātana, śaṅkhacūḍa, gajacchāya, raudra and viṣṇuvikrama. (87-88)
7. The names of the note-series devoid of niṣāda and
   gāndhāra are believed to be bhairava, kāmada, avabhṛtha, aṣṭaka-
   pālaka, sviṣṭakṛt, vaṣaṭkāra and mokṣada. (89-90)
   (viii) The functional purpose of the vedic names of combi-
   national note-series : 90cd
   It is believed¹ that the note-series² bearing the name
   of a particular vedic sacrifice is effectual in bringing about
   the corresponding³ benefit. (90cd)
8. By the ancients, the preceding music-authorities.
9. The combinational note-series are meant.
10. That is, if the note-series bears the name of aśvamedha sacri-
    fice, it would bring about the benefit afforded by that sacrifice,
    provided it is appropriately employed.