रत्नावली नाटिका (सम्राट हर्षवर्धन - शास्त्रीय नाटिका रत्न सम्पूर्ण ४ अङ्क सान्वय सटीक)

468 रत्नावली
Q. 8. Explain :—
(a) उद्दामोत्कलिकां विपाण्डुरुचकं प्रारब्धजृम्भां क्षणात् etc. (C. U. 1931)
Ans. See Sans. Expl. and Notes. (Pp. 130-132, 200-202).
(b) नष्टं वर्षवरैर्मनुष्यगणनाभावादपास्य त्रपाम् etc. (C. U. 1932.)
Ans. See Sans. Expl. and Notes. (Pp. 123-125, 197-200)
(c) विह्वलिं कम्पस्य प्रथयतितरां साध्वसवशात् etc. (C. U. 1932.)
Ans. See Sans. Expl. and Notes (Pp. 353-354).
(d) पुरः पूर्वामिव स्थगयति ततोऽन्यामपि दिशम् etc. (Madras Uni-
versity, 1899.)
Ans. See Expl. (Pp. 241-244 ; Notes 298-299),
(e) दुल्लहजण अणुरारो लज्जा गुरुई etc. (Madras University 1899.)
Ans. See Notes (Pp. 120-122 ; 146-147 ; 195).
(f) किं देव्याः कृतदीर्घरोषमुषितस्निग्धच्छितं तन्मुखम् etc. (C. U. 1931.)
Ans. See Sans. Expl. and Notes. (Pp. 283-284 ; 315).
—————
Model Questions with Answers
Q. 1. How the dramatic theme is foreshadowed by the
नान्दीश्लोकs of Ratnávali ?
Ans. See notes on नान्दी (Pp. 73-75)
Q. 2. Narrate briefly three main episodes in Ratnávali
and show how they have helped towards the development and
conclusion of the Drama.
Ans. Hints :—(1) The episode of the Cupid-festival on
which occasion Vāsavadattá invites the King to be worshipped
as Cupid ; Ságariká comes there and sees the King for the first
time and the germ of love grows in her. (2) The episode of

भासि->चूतापाकसमभासि`!
Wait, look at verse I.23:
"चूतापाकसमभासि नभसः पारं प्रयाते रवौ"!
Yes!

Now let's check line (g):
(g) कण्ठे भग्नावशेषं कनकभयमधः शृङ्खलादाम कर्षन् etc. (II, 2)
Wait, "कनकभयमधः"? No, the monkey breaking the chain!
"कण्ठे भग्नावशेषं कनकवलयमधः शृङ्खलादाम कर्षन्"!
Wait, is it कनकभयमधः or कनकवलयमथः or कनकवलयमधः?
Look at कनक then व ल य म ध ः:
The letter is व (looks a bit like भ or व), ल (clear), य (clear), म (clear), धः!
Wait, it is definitely कनकवलयमधः!

Now let's check line (h):
(h) प्रसीदेति ब्रूयामिदमसति कोपे न घटते etc. (II, 20)
Matches completely!

Now let's check line (i):
(i) भ्रूभङ्गे...
Wait! Now that we

470. रत्नावली
     (q) एष ब्रह्मा सरोजे रजनीचरकलाशिखरः शङ्करोऽयम् (IV, 11)
     (r) उर्वीमुद्दामसस्यां जनयतु etc. (IV, 22)
     Ans. See English Translations.
     Q. 6. Explain with reference to the context : —
     (a) विश्रान्तविशदकायः etc. (I, 8)
     (b) यस्मिन् प्रकीर्ण पटवास etc. (I, 12)
     (c) प्रत्यग्रमज्जनविशेषविविक्तकान्तिः etc. (I, 20)
     (d) कण्ठे श्रीपुरुषोत्तमस्य समरे दृष्टा etc. (II, 5)
     (e) लीलावधूतपद्मा कथयन्ती etc. (II, 9)
     (f) दृष्टः पृथुतरीकृताः etc, (II. 16)
     (g) मग्नबलं प्रकृतेव दुर्लङ्घ्यं च (III, 2)
     (h) बाणाः पञ्च मनोभवस्य etc (III, 3)
     (i) प्राणाः परित्यजत etc. (IV, 3)
     (j) कण्ठाश्लेषं समासाद्य तस्याः etc. (IV, 4)
     (k) आक्षिप्तो जयकुञ्जरेण etc. (IV, 12)
     Ans. See Sanskrit Expl. and Notes on those shlokas.
     Q. 6. What part does the episodes of monkey and Sáriká
     play within the Drama ?
     Ans. See Notes (Pp. 190, 199-200 ; P. 218).
     Q. 7. Narrate the stages that led to the ultimate union of
     the hero and the heroine.
     Ans. [See Introduction, Pp. xxvi-xxix.]

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