सामग्री पर जाएँ
सर्वकोश
वेदों की प्राचीनता एवं काल-निर्णय / ओरायन (लोकमान्य बाल गंगाधर तिलक - खगोलीय वैदिक शोध)

वेदों की प्राचीनता एवं काल-निर्णय / ओरायन (लोकमान्य बाल गंगाधर तिलक - खगोलीय वैदिक शोध)

The Orion and The Arctic Home in the Vedas by Lokmanya Tilak

लोकमान्य बाल गंगाधर तिलक द्वारा

DevanagariHindipublished548 पृष्ठ

पृष्ठ 127, कुल 548 में से

संदर्भ में पढ़ें
पृष्ठ 127

96 THE ARCTIC HOME IN THE VEDAS.
morn. The Western scholars have not made any improve-
ment on these explanations; and Prof. Max Muller is simply
content with observing that the Vedic bards, when speaking of
the dawn, did sometimes use the plural just as we would use the
singular number! But a little reflection will show that neither
of these explanations is satisfactory. If the plural is honorific
why is it changed into singular only a few lines after in the
same hymn? Surely the poet does not mean to address the Dawn
respectfully only at the outset, and then change his manner of
address and assume a familiar tone. This is not, however, the
only objection to Yâska's explanation. Various similes are used
by the Vedic poets to describe the appearance of the Dawns on
the horizon, and an examination of these similes will convince
any one that the plural number, used in reference to the Dawn,
cannot be merely honorific. Thus in the second line of I, 92, 1,
the Dawns are compared to a number of 'warriors' (dhṛishṇavah),
and in the third verse of the same hymn they are likened to
'women (nārīḥ) active in their occupations.' They are said to
appear on the horizon like 'waves of waters' (apām na urmayha) in
VI, 64, 1; or like 'pillars planted at a sacrifice' (adhvareshu
svaravaḥ) in IV, 51, 2. We are again told that they work like
'men arrayed' (visho na yuktāḥ), or advance like 'troops of cattle'
(gavām na sargāḥ), in VII, 79, 2, and IV, 51, 8, respectively.
They are described as all 'alike' (sadṛiśhīḥ); and are said to be
of 'one mind' (sañjānanāse), or 'acting harmoniously' in IV, 51, 6,
and VII, 76, 5. In the last verse the poet again informs us that
they 'do not strive against each other' (mithah na yatante), though
they live jointly in the 'same enclosure' (samāne urve). Finally
in X, 88, 18, the poet distinctly asks the question, "How
many fires, how many suns and how many dawns (ushāsaḥ)
are there?" If the Dawn were addressed in plural simply