मानसार शिल्पशास्त्र (प्रसन्ना कुमार आचार्य - प्राचीन भारतीय स्थापत्य, नगर-नियोजन व मूर्ति-शिल्प महाकोश)
Manasara on Architecture and Sculpture by P.K. Acharya
मानसार ऋषि (अनुवादक: डॉ. प्रसन्ना कुमार आचार्य) द्वारा
पृष्ठ 569, कुल 856 में से
संदर्भ में पढ़ेंCRITICAL NOTES 25
CHAPTER VII
2. I. has a lacuna in place of पदं। The unusual form नामम्
should be noticed; but this form is not uniformly used : see for instance
lines 3, 4.
3. पैशाच is read as पेकच (IX 422) also in tho mayamata (VII
1, 8, 23), which appears to be a better reading because पैशाच is the
name of one of the several rounds into which a whole plan is fnther
subdivided, the others being Daiva and Mānusha, etc.
B. omits the lines 5, 6, and 7.
7. I. reads, in place of this line, षष्ठं षष्ठं षष्ठंशं चे......ञ्च कथ्यते।
The complete line is taken from J. and other Mss.
8. (1) I. सप्तमा। (2) I. स्त for खण्डितं।
10. (1) I. पदमेकादशोति; compare the Brihat-Saṁhitā, LIII, 42 f.
(2) A. F. शायिकं, B. परवंशकमोरितं।
11. B. चासनं मानमोरितं।
12. (1) J. मेक for चेक; (2) J. विंशत्यदं। Here the square of eleven
is intended, and it should be 11²=121; the emendation follows J.
13. J. चाध्ये, A. B. F. चाद्यो, I. चाद्यौ। The unusual form नामं (see
lines 2, 11) should be noticed.
14. The number intended to be expressed in this line is 144, the
square of 12. I. J. सपञ्चाशदष्टं for सचत्वारिंशदेवं। The twelfth plot is
named देशोय (in the Mayamata, VII 3, 11), which is a synonym of
देश्य।
16 A. B. F. मेकं for मेवं।
17. B. पदं, A. F. J. दशमिति for शतम्।
19. J. विंशतिका, A. B. F. विंशतिवा for विंशपदा, J.'s reading is better
as it avoids the repetition of पद।
20. (1) B. नाम सिंहासनं। (2) I. J. यधियोडकात्तथा for अथ षोडशकं तथा
suggested by the other Mss.