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काव्यप्रकाश (आचार्य मम्मट - सम्पूर्ण १० उल्लास सटीक)

काव्यप्रकाश (आचार्य मम्मट - सम्पूर्ण १० उल्लास सटीक)

Kavyaprakasha of Mammata with Hindi Commentary

आचार्य मम्मट / पं. विश्वेश्वर सिद्धान्तशिरोमणि द्वारा

DevanagariSanskritpublished616 पृष्ठ

पृष्ठ 365, कुल 616 में से

संदर्भ में पढ़ें
पृष्ठ 365

312 KĀVYAPRAKĀŚA.
समासो वेति समासः तथा माधुर्यवती पदान्तरयोगेन रचना
माधुर्यस्य व्यञ्जिका ।। उदाहरणम्
अनङ्गरङ्गप्रतिमं तदङ्गं
भङ्गीभिरङ्गीकृतमानताङ्ग्याः ।
कुर्वन्ति यूनां सहसा यथैताः
स्वान्तानि शान्तापरचिन्तनानि ॥३४७॥७४।।
योग आद्यतृतीयाभ्यामन्त्ययो रेण तुल्ययोः ।
टादिः शषौ वृत्तिदैर्घ्यं गुम्फ उद्भट ओजसि ॥ ७५ ॥
वर्गप्रथमतृतीयाभ्यामन्त्ययोः द्वितीयचतुर्थयोः रेफेण
अध उपरि उभयत्र वा यस्य कस्यचित् तुल्ययोः तेन तस्यैव
(e) ‘Harmonious diction’—i. e., such diction in which
the words are so combined as to make it soft—is also
suggestive of Sweetness.
Example—
‘Anaṅgaraṅgapratimaṁ tadaṅgaṁ
Bhaṅgībhirāṅgīkṛtamānatāṅgyāḥ
Kurvanti yūnāṁ sahasā yathaitāḥ
Svāntāni shāntāparachintanāni.’
‘The exquisite body of the slender-bodied one, re-
sembling the sportive altar of the Love-god, accompanied
by graceful motions makes the innermost hearts of young-
men think of things other than the quietistic.’ 74.
(A) The combination—(a) of the first and of the third
consonants of a group with the consonant following them,—(b)
of any consonant with r,—and (c) of any two similar
consonants;—(B) the consonants beginning with ṭ—(C) the
consonants sh and ṣ—(D) long compounds,—and (E) the
bombastic diction,—these are suggestive of Floridity. 75.
(a) The combination of the first and third letters
of a group with those following them—i.e., with the
second and the fourth respectively;—(b) any consonant