काव्यप्रकाश (आचार्य मम्मट - सम्पूर्ण १० उल्लास सटीक)

302 KĀVYAPRAKĀŚA
इत्यादौ वाचकमुखेन
मनोरागस्तीव्रं विषमिव विसर्पत्यविरतं
प्रमाथी निर्धूमं ज्वलति विधुतः पावक इव ।
हिनस्ति प्रत्यङ्गं ज्वर इव गरीयानित इतो
न मां त्रातुं तातः प्रभवति न चाम्बा न भवती ॥३४२॥
इत्यादौ वाच्यमुखेनालंकारौ रसमुपकुरुतः ॥
चित्ते चिहुट्टदि ण तुट्टदि सा गुणेसुं
सेज्जासु लोट्टदि विसप्पदि दिंमुहेसुं ।
बोलम्मि वट्टदि पवट्टदि कव्वबन्धे
झाणेण तुट्टदि चिरं तरुणी तरट्टी ॥३४३॥
“ Remove the camphor ; throw away the garland ;
what is the use of lotus-flowers ? O Friend, enough,
enough of these lotus-stalks !”—Thus does the young
girl go on speaking day and night.’
(2) In the following verse the Figure (Stringed Simile)
adorns the Passion through the expressed meaning—
‘ The galling all-conquering love is freely circulating like
poison ; it burns fiercely (smokelessly) like fire fanned by
the wind ; it afflicts every limb, like high fever; neither father
nor mother nor your ladyship is able to save me from this.
In the following verse, the ornament (Alliteration)
adorns only the words (and not the Passion depicted)—
‘ Chitte cihuṭṭadi ṇa tuṭṭadi sā guṇesuṁ
Sejjāsu loṭṭadi visappadi diṁmuhesuṁ
Bolammi vaṭṭadi pavaṭṭadi kavvabandhe
Jhāṇeṇa tuṭṭadi chiraṁ taruṇī taraṭṭī.’
‘ The young woman acts sensibly ; she is not devoid
of excellences ; she rolls about on the bed, moves all round
and talks freely ; she engages in poetical composition, and