काव्यप्रकाश (आचार्य मम्मट - सम्पूर्ण १० उल्लास सटीक)

292 KĀVYAPRAKĀŚA
भावात् । नापि काव्यशोभाकरणं रसान्तरादनुप्रासमात्राद्वा
तथाभावात् ॥६३॥
आश्रयैक्ये विरुद्धो यः स कार्यों भिन्नसंश्रयः ।
रसान्तरेणान्तरितो नैरन्तर्येण यो रसः ॥ ६४ ॥
वीरभयानकयोरेकाश्रयत्वेन विरोध इति प्रतिपक्षगतत्वेन
भयानको निवेशयितव्यः । शान्तशृङ्गारयोस्तु नैरन्तर्येण विरोध
इति रसान्तरमन्तरे कार्यम् यथा नागानन्दे शान्तस्य जीमूत-
वाहनस्य 'अहो गीतम् अहो वादित्रम्' इत्यद्भुतमन्तर्निवेश्य
मलयवतीं प्रति शृङ्गारो निबद्धः ।
न परं प्रबन्धे यावदेकस्मिन्नपि वाक्ये रसान्तरव्यवधिना विरोधो
निवर्तते । यथा
some other Passion than the Erotic (i. e., through the
Quietistic itself), or through mere Alliteration [so that for
purposes of this charm also, it would not be necessary to
introduce the Erotic]. 63.
If one Passion is repugnant to another when found together
in the same substratum, they should be delineated in different
substrata ; and if one Passion is repugnant to another when
appearing in close contiguity, they should be separated by some
other Passion. 64.
The Heroic and the Frightful are found to be repug-
nant to one another, when found in the same person ;
hence the Frightful is to be depicted as subsisting in the
hero's opponent (while the Heroic belongs to the hero
himself).—And between the Erotic and the Quietistic,
there is incompatibility only when they appear in close
contiguity ; hence a third Passion should be made to
intervene between these two. For instance, in the Nāgā-