काव्यप्रकाश (आचार्य मम्मट - सम्पूर्ण १० उल्लास सटीक)

212 KĀVYAPRAKĀŚA
संहितां न करोमीति स्वच्छया सकृदपि दोषः प्रगृह्यादिहेतुकत्वे
त्वसकृत् ॥
वेगादुड्डीय गगने चलण्डामरचेष्टितः ।
अयमुत्तपते पत्री ततोत्रैव रुचिङ्कुरु ॥२१३॥
अत्र संधावश्लीलता ॥
उर्व्यसावत्र तर्वाली मर्वन्ते चार्ववस्थितिः ।
नात्रर्जु युज्यते गन्तुं शिरो नमय तन्मनाक् ॥२१४॥
(५) हतं लक्षणानुसरणेप्यश्रव्यम् । अप्राप्तगुरुभावान्तलघु रसान-
नुगुणं च वृत्तं यत्र तत् हतवृत्तम् । क्रमेणोदाहरणम्--
to the latter class, then it renders the sentence defective
if it occurs more than once.
(b) ‘Vegā......chalaṇḍāmara.........ruchiṅkuru’ ‘This bird
of unrestrained activity, flying in the sky with great force,
finds it extremely hot ; so take your rest here.’
Here the euphonious combination (involved in the
expressions ‘chalaṇḍāmara’ and ‘ruchiṅkuru’) lead to in-
decorousness (in this that they give rise to sounds mani-
festing the terms ‘laṇḍa’ and ‘chiṅku’ respectively, both
of which are the names of certain private parts of the
human body).
(c) ‘Urvyasāvatra tarvālī
marvante charvavasthitiḥ
nātrārju............manāk’.
‘Hence on the outskirts of a sandy desert the ground
is covered by a line of trees affording a nice resting place ;
it is not right to go through it standing ; so just lower your
head a little.’
[Here the euphonious combination becomes harsh.]
(5) The ‘marred metre’ is of three kinds—(a) Though
technically satisfying the formal conditions, it may be