काव्यप्रकाश (आचार्य मम्मट - सम्पूर्ण १० उल्लास सटीक)

CHAPTER VII 187
प्राभ्रभ्राड्विष्णुधामाप्य विषमाश्र्वः करोत्ययम् ।
निद्रां सहस्रपर्णानां पलायनपरायणाम् ।।१७४।।
अत्र प्राभ्रभ्राड्विष्णुधामविषमाश्र्वनिद्रापर्णशब्दाः प्रकृष्टजलद-
गगनसप्ताश्र्वसंकोचदलानामवाचकाः ।।
भूपतेरुपसर्पन्ती कम्पना वामलोचना ।
तत्तत्प्रहरणोत्साहवती मोहनमादधौ ।।१७५।।
अत्रोपसर्पणप्रहरणमोहनशब्दा व्रीडादायित्वादश्लीलाः ।
तेन्यैर्वान्तं समश्नन्ति परोत्सर्गं च भुञ्जते ।
इतरार्थग्रहे येषां कवीनां स्यात्प्रवर्तनम् ।।१७६।।
(5) [The ‘ Inexpressive ’]—
‘ Prābhrabhrāḍ viṣṇudhāmāpya viṣamāshvaḥ karotyayam
Nidrāṁ sahasraparṇānāṁ palāyanaparāyaṇām.
‘ Having reached the beautifully clouded sky, the sun
puts to flight the sleep of the lotuses.’
Here the words ‘ prābhrabhrāṭ,’ viṣṇudhāma,’ ‘viṣamāshva ’,
‘ nidrā ’ and ‘ parṇa ’ have been used in the sense, res-
pectively, of ‘ beautiful cloud ’, ‘ sky ’ ‘ sun ’, ‘ closing ’
and ‘ petal ’,—while, as a matter of fact they do not ex-
press or denote these things.
(6) [Indecorous—shameful]—
‘ Bhūpaterupasarpantī kampanā vāmalochanā
Tattatpraharaṇotsāhavatī mohanamādadhau ’.
‘The angry army of the king brought about the stupefac-
tion (of the enemy) by marching and energetically striking’.
Here the words ‘ upasarpantī ’, ‘ praharaṇa ’ and ‘ moha-
na ’ give rise to feelings of shame by reason of their second
meanings (women in love, embraces and passionate love,
respectively), and are ‘ therefore ’ ‘ indecorous ’.
[Indecorous—Disgusting]—
Tenyairvāntam samashnanti···parotsargaṁcha bhuñjate.